Tuesday, June 25, 2024

Learning to love AI

Artificial Intelligence (AI) is no longer a distant future concept; it is here, and it’s making waves across various sectors, including charities. In the latest episode of our podcast, we dive deep into the transformative power of AI in the charity sector with insights from third sector digital champion, Zoe Amar.



AI's potential in the charity sector is vast, from enhancing fundraising strategies to creating compelling content. Zoe Amar, who advises charities and leaders on emerging technologies and strategy, provides a comprehensive overview of how AI is currently being utilised and its future potential.

One of the most striking examples Zoe shares is from a small charity in Scotland called Odd Gowan Hospice. They are exploring the use of AI to curate and preserve the stories of patients towards the end of their lives. This innovative approach not only helps in keeping memories alive but also has potential fundraising benefits. However, as Zoe points out, the ethical considerations around using AI in such sensitive areas are paramount.


Another fascinating example comes from the Canadian non-profit, Furniture Bank. They used AI-generated images to highlight the reality of furniture poverty among families in Canada. This innovative campaign not only brought attention to a critical issue but also integrated AI into their fundraising strategy, showcasing the potential of AI in creating impactful campaigns.

The conversation also touches on the importance of upskilling within organisations. Zoe emphasises that AI should not be seen as a threat but as a tool that can augment the work charities are already doing. She highlights the need for CEOs and senior leaders to model the right behaviour and support their teams in adopting these new technologies. This is a crucial point as it ensures that the adoption of AI is aligned with the organisation's mission and values.

For those concerned about the ethical implications and the transparency of using AI, Zoe offers practical advice. She suggests that charities should be clear about what data they are using and ensure they communicate this transparently to their supporters. Engaging with supporters to understand their views on AI can also help build trust and ensure that the use of AI aligns with their expectations.

As we navigate the rapidly evolving landscape of AI, it’s clear that this technology holds immense potential for the charity sector. However, its success will depend on how well organisations can integrate it into their existing frameworks, ensuring ethical use and maintaining transparency with their supporters.

This episode is a must-listen for anyone in the charity sector looking to understand the potential of AI and how to harness it effectively. Tune in now to hear more from Zoe Amar and gain valuable insights into the future of AI in charities.

Sunday, June 23, 2024

Episode 4: Full transcript

 


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Coming up in Episode 4

Tim Beynon: Hello and welcome to the Charity show, the podcast for Charity Insiders by Charity Insiders. Please give us a follow on your usual podcast platform. And here's what's coming up in episode four.

Piers Townley: We're also seeing it in the press and the print, which is quite, an eye opener, for our team. What is the AI doing to the story that we're putting there? We had one example where it had obviously picked up the word chemo and radiotherapy, but then it changed the headline and called one of the Brain tumours that was being featured cancerous when it wasn't. So that's quite a heavy implication, not only for the person that it's talking about, but the implications of the whole amount of work we do.

Zoe Amar: I'd say one of the most important, job roles to get on side with AI is your CEO. you know, your CEO needs to, be upskilling as well. They need to be modelling the right behaviour around trying these tools, learning these tools, giving staff the guidance and the support they need to use these tools.

Tim Beynon: Basically, there's a mystery donor somewhere in the west country who's sending basically, envelopes full of cash to charities. So, there's been three charities in the west country that have benefited recently. Each of them have received about 1000 pounds in used 20 pound notes. What. What are you gonna put your money on? What are you gonna bid on, Piers?

Piers Townley: I think I've got one.

Tim Beynon: Your eyes on a pair of shoes?

Piers Townley: Yeah. Maybe a handbag to go with Saturday night outfit? Yeah.

Tim Beynon: Nice. Nice.

Welcome

Hello and welcome to episode four of the Charity show with me, Tim Boynan, head of marketing engagement at the firefighters.

Piers Townley: Charity, and me, Piers Townley, PR manager at the Brain Tumour Charity.

Tim Beynon: Can't quite believe we're on episode four already, Piers, and the weeks seem to be flying by. How are you doing? How are you?

Piers Townley: Yes, very well. Yeah, the weeks are zooming by. You all right? We're just, a busy couple of weeks, but towards the. The end of those. We've just finished our nominations for the third sector awards this year. We decided to enter it a host of amazing charities. They're kind of BafTas of the sector, I guess. And we've put forward Amy Nuttall as one of our celebrity supporters. Amy tragically lost her lovely mom, Elaine to a Brain Tumour last October and then started to support us. We reached out to her. She recorded a charity single that we did a lot of media workouts, a lot of supporter workout during our Brain Tumour awareness month in March and she continues to be part of a lot of the things that we're doing, including our policy campaign, which was the second nomination we put through to the Charity, the third sector Charity awards. That was our, call in March for our national Brain Tumour strategy. So, celebrity supporter and our policy campaign. But I just wanted a quick shout out to everyone who's entering the awards, all those amazing charities and those amazing categories. The best of luck to everyone. I think we find out on the 4 July if the nominations have made it to the next stage and then the awards take place in September. So a massive luck to everyone entering.

Tim Beynon: Fantastic, amazing set of awards and great to be nominated. Well, hopefully you guys get shortlisted. So fingers crossed all around and just coming up to what you're saying, there, charity singles, there's not enough of them. We definitely need to bring back the charity single. Definitely need to do more of those. Bit more live aid style Charity singling.

Piers Townley: Yeah, the big one from our youth, which is, telling us our age, isn't it?

Tim Beynon: I guess, yeah, indeed, indeed. Yeah. But more of that, please. so, yes, likewise, there's been another busy time at the chat. It's ever not a busy time at the firefighters chatty and likewise for you, but at the moment we're kind of working on our, annual reports, which is that time of year again, when you've got to financial years come to an end. You've got to get together all your statutory requirements for companies, house and the like in terms of trustees report, financial statements and then nice glossy front end to that. Trying to find a way to do it that's just a little bit, out of the ordinary, a little bit different, a little bit inspirational, a bit innovative. So trying to find a way we can do that. Perhaps a bit digital, perhaps a bit print. So we'll have to wait and see. But really intrigues and interested to hear from other people, actually other charities, in terms of your annual reports and your impact reports and annual reviews, those kind of things, what do you do that makes them stand out and how do you use them? Do you use them digitally? Do you still use them for print? Do you use them for things like trust applications? How do you use and, get the most out of your annual reviews? Perhaps that's an episode for another time. So that's what we're focusing on. And then elsewhere, I don't know, it's a bit of dodging the terrible weather we've been having recently been really, really poor. So nice, to see, look out the window. Today. Nice to see a bit of sunshine for a change. It's been lovely and enjoying the. Enjoying the football on the telly. But I know you're not a football man, Piers, but have you been dragged into it with the kids?

Piers Townley: I've been definitely dragged into it by my son, yes. I've got a hand on heart. Offside rule. Don't know. It's a game of two halves. That's about as much as it goes. Poorly to say. But yes, we will be watching it. We're heading straight into the euros. We're in the euros now.

Tim Beynon: There we go. It's a game of cliches. That's all it is really. Basically. That's enough of the football chat, I think, Piers, what have we got coming up in this episode?

Who's on the show this week?

Piers Townley: We're looking forward to this episode, Tim. We're going to be speaking with AI and third sector guru Zoe Amma. about the opportunities that artificial intelligence systems and, and processes are, bringing into the Charity sector, the impact it will have on fundraising, the

00:05:00

Piers Townley: threat to charity content and comms where we work in, and the need to get slts and CEO's on board as the sector sprints to get up to speed with the development and the impacts of AI on the work that we all do on a day to day basis.

Tim Beynon: Talking of which, in terms of working with AI on a day to day basis, are you, is it part and parcel of your working day?

Piers Townley: We do, we do see it a lot, actually. Well, we see it in the research, the number crunching that happens in the healthcare systems and the cancers, cancer charities. And we also see it sometimes within our engagement and our emails and our marketing. We use it in content slightly. We've seen distilling very complex scientific papers into understandable layman's kind of jargon. But we're also seeing it in the press and the print, which is quite, an eye opener, for our team. We've had our case studies, been using national newspapers, I won't name one because I'm sure they're all doing it. But scrolling to the bottom of that online article, you see the caveat. This article has been fed through an AI system. And that's quite a stark and quite a resting thing to see when you're thinking, well, what is the AI doing to the case study? What is the AI doing to the story that we're putting there? We had one example where it had obviously picked up the word chemo and radiotherapy, standard treatments for the disease area that we're in but then it changed the headline and called one of the Brain tumours that was being featured cancerous when it wasn't. So that's quite a heavy implication, not only for the person that it's talking about, but the implications of the whole amount of work we do. So, very interesting, slightly scary, also quite intriguing way to see how this, this whole AI is going to revolutionise the way we work.

Tim Beynon: It definitely will. I think you're right about it being scary. I mean, a lot of the, stories you see in the press are quite scare mongering. They kind of sort of tell, you know, jobs are going to be replaced and AI is going to change the world and all this kind of stuff. But example you've given there is exactly the fact that it's not perfect and you still need a human who's able to tell that it's not. That in that example that it wasn't cancelled out, but that was, that was incorrect. AI got that wrong. So it's reassuring to know that there still needs a real person at some point along the line to pick these kind of things up. So that's a great example.

Piers Townley: Yeah, you need it. You need it. You need the old equivalent, the proofreader, the old sub editors, those roles and you are still going to be there. The content moderator, whatever you want to call it these days. That set of human eyes is still going to be paramount at this stage anyway.

Tim Beynon: Yeah, definitely. Who knows what the future has in store, though? You never know. But, yeah, I'm pretty similar. I mean, we at the Charity use, it's just starting to use AI really to help with things like testing different versions of content, redrafting content to give it a different tone or a different spin, that kind of thing. so it's kind of, you kind of using it as a sounding board for ideas sometimes as well, and helping us generate different ideas and different approaches to different things. I think when you've been at a Charity a long time, you're very, very used to, an environment and a community. It's quite good, actually, to have to sort of use it as a way in which to generate fresh ideas because it's difficult sometimes to always keep coming up with those ideas. So I can see the use of it in that sense. And also we use it to help to segment some of our data, using Salesforce to do that. And interesting that Salesforce is a giant in the CRM world and huge organisations use it. it's a massive organisation, but it is itself now putting AI at the heart of all that it does. So really you won't be able to escape it. It's going to be part and parcel of our lives going forward. But I will say one thing I am pretty sceptical of, certainly at the moment anyway, and it probably get better, is AI images. Now, they basically look dodgy. You can tell an AI image a mile off, you've got extra limbs, you know, too many fingers, all that kind of stuff.

Piers Townley: Six fingered people come upon them, don't they? Quite a lot, yeah.

Tim Beynon: And we use a, we use an AI tool to help with the podcast. And, it's good, it tweaks the audio for us, enhances the audio. But one of the things it also does is, generates, cover arts, for us, or suggests cover art for us. And this is quite amusing in that we used it for one of our last episodes. And, in that episode, I think you were talking about the fact that you went kayaking down the Basingstoke canal and I was talking about the firefighters Charity, one end or another. Basically, the system, having listened to the audio, came back with a cover art picture of a firefighter in a kayak on a, on a river somewhere. just, it was just completely random. I mean, the boat paddling had like four paddles as well. It was very strange.

Piers Townley: I didn't look too closely. I really like that piece. I think we should do that more often. But you're right, it could throw up some very strange looking visuals.

News

Tim Beynon: For some third sector news. What's made it into your notebook this week, piers?

Piers Townley: What grabbed my attention was a piece about a generational icon, if you like. I mean, I don't think you do too many superlatives for but Vivian Westwood, the iconic design and provocateur and activist and music moguled. I mean, she was huge, hugely instrumental in shaping a generation of culture, a generation of art. She's got a personal collection that's been

00:10:00

Piers Townley: auctioned off. obviously, sadly, she died a couple of years back now, but her personal collection has been auctioned off as Christie's, with the proceeds going to Charity. So there's lots of dresses and suits and shoes and iconic jewellery, really striking pieces that are going to go into the hammer this month. I think there's live sale on the 25 June, and there's an ongoing, at the moment, online auction between the 14th and the 28th of the month. And proceeds and funds raised are going to go to some other causes that were very close to Vivian's heart. Ah, such as the Vivian Foundation, Medicine Sanfontiere, Amnesty, international and an organisation called the Big Picture, which is a project that works alongside Greenpeace. So huge icon selling iconic stuff for massive, massive charities. So really interesting.

Tim Beynon: What, what are you going to put your, your money on? What are you going to bid on, piers? I think I've got your eyes on a pair of shoes.

Piers Townley: Yeah. Maybe a handbag to go with a Saturday night outfit. Yeah.

Tim Beynon: Nice, nice. That's nice. Excellent. That's a lovely, lovely story. I like that. I've got an interesting one as well that I spotted. And first off, before I go into it, what's the most exciting piece of post you've ever received?

Piers Townley: Oh, I think I'm still waiting for it. I want that big cheque to land in there from a lottery or something. Not yet.

Tim Beynon: Yeah, yeah, the post isn't exciting anymore. It's just bills. It's just bills and rubbish that comes through the door. So no, no exciting post for me. But there has been some very exciting posts for some charities in the west country, over the last month or two. And basically there's a mystery donor somewhere in the west country who's sending basically envelopes full of cash to charities. So there's been three charities in the west country that have benefited recently. Each of them have received about 1000 pounds in used 20 pound notes. So the last one was Bristol autism support and they received 1020 pounds in the post. The RNLI, in Portishead received 1100 pounds in cash. and back in May, Marie Curie and Bristol, discovered wads of cash amounting to 1000 pounds in their letterbox. So this is amazing. Basically, these charities are receiving in envelopes that don't have any return address on them. No information, just an envelope full of used pound 20 notes amounting to about pound 1000. How exciting must that be for the people opening the post? Isn't that great? I love that story.

Piers Townley: It's really intriguing as well, isn't it? Because you just want to do a bit of investigation, don't you? You don't want to, want to unmask this amazing anonymous donator, whoever they may be.

Tim Beynon: Yeah, absolutely. I'm looking forward to it. I might, have to go and well, if I was in the west country now, I'd be on tenterhooks waiting to see what arrived in the post.

AI and the third sector

Few technologies have in such a short period of time caused as much excitement and trepidation as AI infiltrating almost every area of our lives built into our phones, apps, websites and search engines. AI is writing for us, designing for us, generating ideas, creating images, making music and video, enhancing the audio of this podcast, and potentially changing the way charities work forever. Whether taking your tentative first steps with chat GPT, or manipulating complex data to target fundraising campaigns to specific audiences, over the next few years, we will all undoubtedly be using AI as part of our day to day work. So how do we get past the fear and learn to love AI? Third sector digital champion Zoe Ammer advises charities and leaders on emerging technologies and strategy. And as she told Piers and I when we spoke to her recently, AI has a bright future in the third sector, as long as it's used correctly and responsibly. Zoe, welcome to the show. Thank you so much for joining us today. It's fantastic to see you. Fantastic to get our teeth into this really important subject of AI. It's one we've been really keen to do so for a little while now. For many of us, our knowledge of AI, well, probably personally and peers know about you, but probably it doesn't go much further than beyond the basic understanding of chat GBT and watching the news and hearing some of those scare mongering stories that out there, about AI.

AI - what are we talking about here?

So perhaps a good place for us to start this interview is if you might just help us to understand what we're actually talking about when we talk about the potential of AI, and the third sector.

Zoe Amar: Yeah, of course. So it's a great point you've made there, because you're so right that often when people talk about AI, they're thinking very much of generative AI and tools such as chat GPT. But of course, there's a whole world beyond that that can really help charities. I would describe AI just as a summary. It's where computer systems learn, and they can problems of kind of mimicking how a human would do it, and in terms of the day to day ways in which charities can use it. I mean, there's everything from, using AI to help you draught content, to help you be more productive, such as meeting notes, but then some of the more sophisticated stuff around idea generation and, of course things like predictive analytics in charity fundraising, and I'm sure

00:15:00

Zoe Amar: come on to those examples later. So, overall, I'd say these tools, the potential there is partly about being more productive, but it's also about how you can ultimately increase your impact by leveraging the power of these technologies. But that will only happen if you use it. Right. Fantastic.

Tim Beynon: It's good to hear that it's not all terrifyingly scary, as the media sometimes makes it out to be.

Examples of where it's being used well

But can you perhaps give us some real world examples of where in the third sector, AI is currently being used and where you've seen at making a positive difference?

Zoe Amar: Yeah, absolutely. So there's some really interesting examples out there, and I'm going to share one, which I saw, in the UK context, but then also a really interesting one I saw from a canadian non profit just about, a week ago. So there's a really great example from a small Charity in Scotland called Odd Gowan Hospice. And what they're doing is looking at how they can use AI platforms to essentially curate and, bring together the stories of patients, towards the end of their lives, because what they have heard from patients, and also the loved ones of these patients as well, is that, sometimes those memories get lost, when someone dies, very sadly. So what they're exploring, and as I understand it, they're at that exploratory stage at the moment. And this is something m. That I covered as part of one of my third sector columns, a few months ago, is they're looking at how they can use these tools in order to do that, to create, these stories based on what the patient has said, and then to pass those memories down the generations. and they're potentially also looking at where AI can be used to clone patients and voices as well, in order to tell those stories. And potentially those stories could be used for fundraising purposes as well. So this is, I think, very exciting because it's really ambitious. you can see the potential with fundraising as well, if the right permissions are in place. However, as with any other area of AI, you really need to think through the ethical framework around that. So I'm really excited to see what they're doing. I think there's lots of potential to help them achieve their mission, and lots of things to think through as well, in order to make sure it meets, their values. But, yeah, watching that one with a great deal of interest and an example from the canadian nonprofit. Now, this is a really innovative campaign, and I'd love to see more uk charities considering this kind of thing. So there's a nonprofit, in Toronto called furniture bank. And what they do is they help families, particularly families who've recently, emigrated to Canada, and some of whom may be refugees, potentially, where they're really living in furniture poverty. So they've been given social housing by the government, but they don't have any furniture to furnish place and that's really hard because a lot of these people who are coming across have families and young families. So what furniture bank did, which I think is really interesting, is they used, AI, in particular image generation tools, tools like Dali and Midjourney and that kind of thing, to co design some creative for a campaign, which was about the reality of living in that kind of situation, rather than sending a photographer into these homes and all the sorts of consequences for, privacy, for those, families to basically co create that imagery using generative AI, with families who were affected by it. And they used the creative in a really interesting way, because effectively what they were doing was they were saying, well, this is the part of this is something which is an image generated by AI, but it's reality for a lot of families living in Canada. So I think that's a really interesting way in which you can put AI in the front and centre of your campaign and where the medium is the message, which I think is a very powerful thing. But then added to that, they have an AI based fundraising ask, which is really, really interesting because it's about, would you fund more innovation from a charity like ours? And they've been really open and transparent, on the fundraising landing page there, where they've talked about why they're using AI, the point they're trying to make by using AI, and also how they've used the AI, ethically and transparently as well. So it's the first time I've seen a charity fundraising in that way, where AI is a central element of the creative. But it's also part of the. The case for support as well, which is where I think it gets really quite radical and innovative and really exciting.

Piers Townley: That's absolutely fascinating, Zoe, especially that kind of transparency, which I think is key to the AI. It's what is on everyone's mind at the moment, isn't it? I mean, the scottish hospice Charity that you mentioned and the legacies and people's stories is very pertinent to what we do at the Brain Tumour Charity. The case studies and people support, and the legacy of their loved

00:20:00

Piers Townley: ones and the legacy of people that are going through what we're going through is very, very central to how they interact and how they support our charity. So where do you think charities should be focusing their energy going forward?

Zoe Amar: M. Yeah, so I think this is a great question, because for me, it's going to be about what you have learned from what you've done so far. and every Charity is at a different stage with that. I mean, I've spoken to two quite well known charities already today who are at quite different stages, with AI. So where I have commonly seen Charity start to, adopt AI over the last year, it's for some of those use cases that we talked about in terms of the creating the content meeting notes, but also maybe starting to think about how might we use these tools in order to analyse our data and better understand, our beneficiaries and target campaigns. So m, it really depends on what you have managed to do so far and what you feel confident about doing, what your staff are skilled up to do, what you've got the capacity and headspace to do, and also what on earth is going on with your wider digital transformation. So there are charities I speak to where they've got a lot of interest in how they can use AI tools to understand their data and get better insight from, make better decisions from it, such as how they better target campaigns. But if your data is in a mess, if the data quality isn't there, if the data is sitting on six different databases, if your data flows are sort of all over the place, that's going to be a real challenge and that's going to limit your AI maturity and the return on investment you get from, from using these tools. So where I think this stuff is a real opportunity is where it will prompt you to review and rethink your digital transformation journey so far. And if any of those, those foundations, those building blocks are in place, not, or yet, and if you don't have them yet, to plan for how you make sure you get them, to be put in place, that's.

Will AI lead to job cuts?

Piers Townley: Really, really interesting because obviously as a health Charity, we see a lot of AI being used, very obviously in the research where it's crunching health data and patients data and cancer treatments and all of that sort of stuff. But then more on a day to day charity level, because obviously AI, the biggest worry for people, is it going to affect the creative side of things? Is it going to affect the comm side of charities? And does that inevitably lead to cost cutting? Does that inevitably lead to losing jobs? Do you think that's the case or is this yet to be sort of seen in the real world?

Zoe Amar: Well, I think this is all about how we end up approaching this in organisations and I do hope we'll see more cross sector collaboration on it. So if you talk to someone like Rodri Davis, who I think is very very insightful on this, I know that one of the things that he's concerned about, and I obviously share these concerns as well, is that if charities are very reactive on this, and if they stick their heads in the sand and they think, well, just, you know, let it sort of develop very organically, and then you may get to a point where you always fall off a cliff if your fixed costs are very high and you're thinking, well, actually, there's a sort of AI solution, I could. And that means that I only need two people in my fundraising team as opposed to five. And you want to avoid being in that situation, right. Because the organisational knowledge, the donor, knowledge that, people in those jobs will have, there's a way for those people to be retrained, perhaps their roles look slightly different, for them to be skilled up in these tools so they can continue to make a huge amount of difference. So I'm not one of these people who believes that there's going to be a complete bonfire of jobs, but I think that you have to be ready for a situation where your organisational structure and roles and responsibilities and delivery models and indeed your culture is probably going to look very different. So what I've been saying to charities and leaders as well is that as with any other kind of digital transformation, tech adoption, innovation, the way that AI comes into your organisation and how you choose to use it or not, the decisions that you make, this is a test of your culture and this is a test of your leadership, and this is a test of how innovative you are prepared to be. So you have to look at it through that frame.

Piers Townley: I guess you're right, because a lot of charities, a lot of organisations, but particularly charities, have been going under a digital transformation for many years. Whether they kind of address it or embrace it or not, that's just naturally happening. I mean, myself and Tim, we work in comms, so pr content, social media, it's all part of our, bread and butter, and that's all wrapped up in how we then use AI, not against us, but as part of our day to day, as part of our charities, wider comms and our wider strategy when it comes to that.

Zoe Amar: Yeah, and I think that's actually

00:25:00

Zoe Amar: a really positive thing. Right? I mean, I'm seeing some great innovation happening in charities where it's almost like the days of social media back in the early nineties and the way that started to come into organisations and actually was a lot of innovation and creativity being driven by comms and fundraising teams, because that was the entry point where these tools started to be adopted. I think the challenge with AI, because it's coming into some organisations in a bit more of a stealthy way, not because people are, not trying to do the right thing and hide it, just because I'm not sure what I'm allowed to do with it, what the parameters are. So should I be telling people about it? Those really critical learnings that are happening at this point of adoption could be lost if comms and fundraising teams aren't empowered and they're not recognised for the efforts they've made in innovating. So I do think that is something we all need to consider, and offer that support to those teams.

Tim Beynon: It's funny from a, from a comms perspective because I can't help but feel, obviously piers and I have been around for a little while, it kind of, you know, if you do use, if you do use some of these tools, it kind of feels a bit like you're cheating. It kind of feels like, you know, you know, I'm asking, I'm asking, you know, a faceless entity to do my job for me. So that kind of sits, sits comfortably a little bit with me, but at the same time, I can absolutely see the benefits of what it can do. And if things like, you know, things like using AI to come up with split test emails and things like that, and using it to support marketing, I can totally see the benefits of that. But at the back of our mind a little bit, it does feel a lot like I'm chasing. I don't know. What do you think?

Zoe Amar: Yeah, I think it's a really interesting one because I think what you've framed now, which is really great, it's about, the comfort levels and the confidence that people have working with these tools. The way I see these tools is it's a really conversational way of working with technology rather than a transactional way. Back in the day when we all started to work with, Microsoft products and word, I'm old enough to remember that it's very much about, here's a tool and I want the tool to do a very specific thing. Whereas if I'm sitting there with claws open on a tab and I'm trying to draught a report, obviously I'm careful about what data I put into these tools, but it's a thing of what do you think of this? And what do you think of this word again? Is there a different way to say this or to approach this issue? So it's always like the way in which you would talk to a colleague so I don't think it's cheating because it's not like you have given everything over to a tool and you, you've gone off to the pub. It's a case of, well, how can I stress test these ideas? How can I bounce my ideas off something else, in order to make them better? So that's the way I look at it.

Tim Beynon: I can certainly see the benefit of that. and that's really important when you're looking at communicating with multiple, different audiences in multiple different ways, and you're looking at how you can talk to those audiences differently. And AI can definitely help to, just to spark ideas in that way and try and give you a different way of thinking. So, I can totally see the benefit of that.

AI and fundraising

Let me ask you in, a similar vein, really. Can you perhaps just give us a bit of an overview of how AI, can help on the fundraising side of things? Obviously, piers and I are comms side, but from a fundraising side, where are the benefits?

Zoe Amar: Yeah, so where I'm seeing a lot of fundraisers using, these tools, I mean, obviously there's the kind of day to day admin behind the scenes and there's the developing the content, as you say, which I think is really important. There's clearly the development of creative, so that obviously speaks to that case, study that I shared from furniture bank earlier. And I know there's other charities who've used it in their creative as well. and then definitely there are charities I speak to who are using AI to write funding bids. What I'd say about all of that is you want to make sure you're finding a process and a tool that really works for you. Because if you've got the wrong kind of prompts, or if you're not quite sure what you're doing, then you can end up, these tools end up being a massive time sink, put it that way, if you're not quite there with what you're trying to sort of, achieve from it. And then the other thing which I'm seeing more charities doing, and we will have some data on this when the Charity digital skills report comes out on the 11 July, is idea generation. So, asking these tools about, well, give me some innovative ideas for, give me five amazing ideas to reach young people through an innovative Christmas campaign, for example. I think really using it as part of your brainstorming, maybe bringing it into team meetings in order to do that, that's where you can access a whole load of different creative ideas and potential, obviously, things which need to be reviewed, and to be really carefully thought through. but definitely, definitely. I think it's something

00:30:00

Zoe Amar: which could add to the fundraising sector's creative muscle if you approach it right and you have the time and the capacity for the editing and the reviewing of ideas.

Tim Beynon: Yeah, absolutely.

Take up of AI

Let me ask as well, about the take up of AI. I read a really interesting report, recently, and it actually is a survey of 12,000 people that actually found that out of those 12,000 people, only about 2% have ever used an AI product like chat GPT. And so actually, despite the fact that you can't move in the media for seeing something about AI in the press, pretty much every day, take ups, actually, according to this report, quite slow. Is that the same in the third sector, or is the third sector sort of leading from the front at all?

Zoe Amar: Yeah, I mean, it's hard to say. So we will have some data about take up of AI, in the Charity Digital skills report, which comes out in July. And so please do keep an eye out for that. I'm slightly reluctant to compare a kind of big consumer survey, with a sector specific survey, because I think the adoption is going to look different because there's the kind of professional context in the Charity compared to people using it day to day and their personal, perhaps as much as their working lives. But yeah, I mean, certainly the charities that we speak to, there's a lot of people who are just testing things out with AI or beginning to use it more. so I think that there will be some really interesting trends. We'll certainly have some numbers on that over the summer, which I'm excited to, share with everyone.

Concerns around data privacy and confidentiality

Piers Townley: Just, one point I wanted to talk about, Zoe, is that I think there's a general sense that some people, quite a lot of people feel that the technology is moving a lot faster than they can keep up with, which is where that kind of nervousness, that kind of this is the end of days kind of thing, when people talk about AI. So I just wonder how charities address the concerns of things like confidentiality and data privacy, and actually trust in an organisation. So if we say we are now using AI for a, B and C, how do we maintain that trust with our supporters, our beneficiaries, and those that we're reaching out to?

Zoe Amar: So there's two things there, aren't there? So there's the thing about, the data privacy, but also the transparency as well. so, I mean, the first thing is you do need to give your staff really clear parameters on what they can and can't do with these tools, what data they should be putting into them, what data they shouldn't be putting into them, and to make sure that's really clearly communicated. And also, I think that managers are across all of that guidance as well, because they're the ones who will notice where things might have gone awry, day to day with teams on that front. What I would also suggest charities look at is the T's and C's of the different tools, and the T's and C's are the different levels of tools. So as an example of that, we recently started testing Google Gemini in my organisation. I'm always very careful about what we put into these tools, but I did notice with Gemini that actually the data that you put into it just goes back into training. And so actually I'm pleased we were cautious about what we put in there. But I think if you have the higher level of it, so if you have Google Gemini enterprise, it's not shared more widely, which is a good thing. And some of these companies, they're perhaps not as transparent as they could be about what they do with your data. So I'd encourage people to really test that, and cheque that carefully.

How transparent do charities need to be about AI?

The other side of it, which I think is a great ethical question, is how transparent should I be with my audience about it? And, this is where I think the furniture bank campaign is so interesting, because actually the transparency around we're using AI and m why we're using AI and how we're using AI is actually the fundamental central message of the campaign itself, which I think is a whole other level of transparency. But in terms of how you might tackle the transparency issue day to day with use of AI with your donors and supporters, I think that's quite an individual decision for organisations. You do need a position on it, you know, and it might be that it's got to be proportional. So you may not need to say to every single supporter every time you use it in every email, but if it's a key part of campaigns, particularly if it's a part of creative, then, I do think it's good practise to say that we use this and this is why we used it and perhaps use it to start a bit of conversation with your supporters. And actually, sorry, the final thing on that transparency piece is I would definitely recommending recommend talk to your supporters about it. So even if you just spoke to five or ten of them and you said, look, we're thinking of using AI. What is your view on this? What's your take on charities adopting AI then? Actually that is time well spent because they will also need a bit of education about why you're using these tools and how you're using these tools. And actually that should build that trust piece that you mentioned earlier.

Piers Townley: Well, that touches into really the heart of any third

00:35:00

Piers Townley: sector, any Charity, isn't it, that the supporters, the beneficiaries are the first point, they're the focal point. So if we're going to embrace this technology and embrace this transformation, they also need to be able along for the journey, in fact, possibly leading the journey as a Charity cause as well.

Are there any specific AI tools that charities should consider using?

So are there any specific tools or any specific programmes out there that you have come across and would recommend for charities to look at or to consider?

Zoe Amar: Yeah, so there's a couple of things. I think that, one of the LLMs, Claude, doesn't get nearly enough air time as it could do. I mean, I read the study that you mentioned with the 12,000 responders. It's interesting because chat GPT has clearly got that massive brand recognition that the other tools don't have to the same degree. And actually, I think Claude is really good at drafting copy. It's really good for working within that conversational idea generation way. So I think that's quite useful. And I'm also hearing really good things about, Dotoro, which I know that a number of charities have used on fundraising campaigns around things like predictive analytics and better identify and better targeting, their campaigns, ending up saving money, and also actually generating more money as, as well. So that is also something which may be worth, looking at. I know that it can be a bit expensive is what I've heard. but definitely, I think exploring that range of tools that is out there to help charities and thinking about, well, what is my AI fundraising tech stack? because I think that the kind of tech stack that you might have now in AI may well shift in six months time as more tools come on stream. So having real clarity and transparency internally around what tools you using, why you're using it, and then developing the principles so that you can decide what to use and what not to use in the future as new products come to market will be really important.

What role should senior leaders take with AI?

Tim Beynon: And so whose job should AI be? are we seeing across the sector that there's a whole load of recruitment for AI managers going on now? Or is it something that should just be built into everyone's roles? Or are there specifically specific new roles that are being created.

Zoe Amar: Yeah. So I'm not seeing any new roles being created. I am hearing more charities starting to perhaps not build it into job descriptions yet, but to look at who could own it as part of their existing roles. So that might be people from digital teams, data teams, tech teams, but actually I'd say one of the most important, job roles to get onside with AI is your CEO. Ah, your CEO needs to, be up skilling as well. They need to be modelling the right behaviour and trying these tools, learning these tools, giving staff the guidance and the support they need to use these tools. And I think it's really important that they have an idea of what the art of the possible is with these tools as well, and how AI can help their charities achieve its vision and its mission. Because one of my concerns at the moment is the conversation I'm having with AI, with people m like heads of digital and fundraisers and people at, management level. There's no energy and excitement and innovation and people doing interesting, creative stuff, obviously on not very much money. And I think that's something that's to be encouraged and empowered with the right parameters. But when I go in and I talk to leaders and CEO's and trustees, that energy is very different. People are at that stage where they're in. Well, what is AI? And I tried Chap GPT once and I didn't feel comfortable with it. And so there's a whole upskilling piece that needs to go on around the board table. And when you see that coverage in the media that you mentioned around AI being scary, often people talk about the we, need to upskill workforce. I think that's right. But we also need to upskill senior leaders as well. Otherwise they are not going to be able to make the right decisions and provide the right scrutiny and support and strategy for their charities to move forward.

Tim Beynon: That's fascinating about the upskilling side of things, and I completely agree. If we're not looking at new roles, it's definitely going to be important for us to upskill those existing roles so that we understand exactly what we're, getting into and what the potential is for AI across our organisations. So on that front, where would you recommend people turn if they want to think right. We need to up our skills here, at whatever level that might be. Where do they turn? Where should they look?

Zoe Amar: Yes, there's lots of different places you can, look at. So, firstly, we've got a, free AI checklist for Charity trustees and leaders, but anyone in any Charity can use it. And I think in order to get handled on your skills, you also need to get a sense of, well, where are we with AI? What have we done? What haven't we done? Just so that you get a sense of why am I developing these skills and which one should be a priority. So I think doing a bit of self assessment, is a good thing. and then there's so many webinars out there, about AI in the Charity

00:40:00

Zoe Amar: sector now, and I'm a trustee at Charity digital and there's some really good work that they're doing around AI and some great content. I'm, sure I've seen Charity comms covering this kind of thing as well, so I don't think it's hard to access training and webinars. What I'd also say is that the value with AI is very much going to be in what you do when you get back to your desk. And yes, whilst that's also true of any kind of training and learning and development, the development, of the adoption of these tools, you know, it's going at such a rate that you want to make sure that you are trying to use them in some, most days or certainly quite frequently. So you're building your skills, you're building your confidence, you're building that understanding of what the possibilities are. So definitely look out for training and resources and guidance and talk to your peers. But also remember that the most progress you're probably going to make is at your desk and working with your team.

Tim Beynon: And just getting stuck in giving it a go, essentially. Yeah. Zoe, that's been fascinating. Thank you so much for joining us. Really, really appreciate you taking some time out to do so.

Is the future bright for AI in our sector?

Got to ask you final question. Just give us a glimpse of the future. What does the future hold? Are we all heading towards a Terminator style apocalypse or are we, is the future bright for the third sector and AI?

Zoe Amar: I think the future is bright if we make the right decisions. So what I've seen since chatter GPT got launched in November 2022 is that there are, a fair few charities have gone into this experimentation and indeed, to some extent, testing mode. What we need to do now is to look at what we've all learned from that phase and to start to make decisions about where we prioritise our effort and our investment, and where we might need to upskill further and where these tools might help us achieve our strategy. And so we need to be at a point now where we're looking at where we prioritise and where we make the right decisions that are going to take us forward and that's where leadership and strategy and boards are going to be even more important.

Tim Beynon: Cool. Zoe, thank you ever so much for your time, very much.

Piers Townley: That was brilliant. Thank you, Zo. really interesting. Really interesting because we're seeing as well, everyone is seeing it every single day now, aren't they? It's just crazy.

Zoe Amar: They really are. They really are. And thank you so much. I really enjoyed that. That was really fun.

Superstars of the week

Piers Townley: In each episode of the Charity show we want to celebrate our sector superstars, those incredible people working, volunteering and fundraising across our sector. And you can nominate your deserving colleagues, volunteers or funders fundraisers. Just email us at thecharityshowpodmail.com or get in touch through the links in the show notes. You can even send us a voice message that we can play out in the next episode. What's your superstar this week, Tim?

Tim Beynon: well actually there's three people this week, not just the one. I've got three. Three superstars that I'm really keen to give a mention to. The three amazing guys and you might have heard of them, three dads who have been walking, in recognition and in memory of their daughters and to honour their daughter's memory, these three dads ever so sadly lost their daughters, to suicide at an incredibly young age. And the three guys, Andy Airy, Mike Palmer, and Tim Owen, have all very rightly received honours, from the king and been made MBE's in the king's birthday honours. So incredibly deserving. and I'm really glad that they have received those awards and recognition of the incredible work theyve done. Theyve walked 500 miles from Stirling to Norwich, to raise money for papyrus, a young suicide, prevention Charity. And in total they raised more than 1.4 million pounds. So an incredible sum of money and an amazing amount of awareness. But of course, this is a bittersweet story because these free guys, im sure they said in the quotes, in the stories around this, you know, they're grateful for the honour and for the recognition but obviously, you know, they would swap it all in an instance to have their daughters back. So, incredibly moving story and I just wanted to sort of, you know, mention them and really just a shout out to the fact that these are people who really deserve that kind of recognition in the honours and through the honours system. yes, of course it's, you know, the headlines are grabbed by the celebrities in terms, terms of those who are honoured and received the high awards from the king. and they do incredible work for charities. We can't discount that they do some amazing work and do some amazing good, but it's these stories of people like Andy, Mike and Tim, who lost their daughters. Beth Palmer, who was 17, Emily Owen, who was 19, and Sophie Airy, who was 29, lost their daughters to suicide. And throughout their pain, despite their pain, and they've come together to do what they've done, raise incredible sum of money and awareness for this incredible charity. and yeah, so they are the people who really deserve those honours. Ah. And I'm glad that they've been recognised in that way. So very bittersweet story for me this week, but, some very deserving guys.

Piers Townley: Yeah, that's really moving, really, really poignant.

00:45:00

Piers Townley: But an incredible amount of awareness and incredible, amount of money as well. Hopefully we'll touch and reach out to so many others.

Tim Beynon: Yeah, absolutely. Who's your superstar this week, piers?

Piers Townley: Well, actually I'm hoping it's going to run into the hundreds of superstars because what's caught my eyes is a planned paddle out this Sunday, the 30 June, organised by the healing waves Charity and RNLI jersey. And it's a, paddle out as a traditional hawaiian tribute to honour the life and, you know, legacy of a person who's died. Really popular within the surfing community. Community. And this Sunday, healing waves are hoping that over 350 people will join this paddle out and raise an enormous amount of money for two, incredible charities. And Vicky's quoted in the BBC saying loads of interest with several surfing schools signing up, want to reach Jersey's water based communities. She goes on to say it'll be amazing to get as many people as possible out there together, raising funds for not just one, but two amazing charities, as we've just said. And interestingly, the world record is quoted in the piece for a paddle out is 511 and Vicky saying that it would be cool if they could break the record that day. So my shout out, my superstars are everyone who's already signed up to go out for this paddle out on Sunday and let's just hope that they can beat that number, 511. It's only a small amount of people, so I'm sure that they'll smash it, but I think already they've got 350. So, a massive shout out to everyone donning their wetsuits and grabbing their boards and joining the paddle out.

Tim Beynon: Yeah, just need an extra 162 people.

Piers Townley: It's terrible.

Tim Beynon: Come on, sunshine.

Piers Townley: It could be an amazing day.

Tim Beynon: Exactly. If you've got. Have you got a surfboard you can join them with, piers?

Piers Townley: No. No.

Tim Beynon: Well, you could take it. You could take a kayak, you can paddle it.

Piers Townley: Yes, exactly. It's one of those sports I'd like to think I'm pretty good at, but I'm not.

Coming up on The Charity Show

So that's it for this episode. Huge thanks to Zoe for displaying some of the myths around AI. What have we got coming up over the next few weeks, Tim?

Tim Beynon: We've got some really, really cool stuff coming up over the next couple of episodes, actually. We are going to be finding out about the psyche of the average british donor and how the fundraising landscape is changing, especially in the wake of things like the pandemic and the cost of living crisis. So we're going to be speaking to Katie Docherty, chief executive of the Chartered Institute of Fundraising. That, will be in the next episode, and then in the episode after that, we're going to be talking to the strategic leader of the year. So Vicky Beavers, chief executive of the sleep Charity, is going to join us to tell us about the importance of strategy for charities of all sizes. So some really, really exciting stuff. And then you've got some other things in the pipeline, which I'll keep up by sleeve for the moment, but some other things coming up in the naughty, distant future too.

Piers Townley: Sounds great, Tim. And don't forget, there are loads of ways you can get involved in future episodes too. We'd love to hear about the great work your charity is doing, for example. Or if you've got an idea for a topic or story you'd like us to cover, do let us know about it.

Tim Beynon: Absolutely. You can get in touch through the links in the show notes or by emailing us at, thecharityshowpodmail.com. so come and tell us about that innovative new project you've been working on, or nominate someone outstanding for a superstar of the week mention.

Piers Townley: And in the meantime, please follow us on your usual podcast platform and leave us a review, both of which will help other charity folks to find the shank.

Tim Beynon: So that's it for this episode. Take care and we'll see you soon.

00:48:13


Sunday, June 9, 2024

Episode 3: Full transcript

 




Introduction

Tim Beynon: Hello and welcome to the charity show, the podcast for charity Insiders by charity Insiders. My name is Tim Beynon, head of marketing engagement at, the firefighters charity.

Piers Townley: And I'm Piers Townley, pr manager at the brain tumour charity. And every fortnight, we're going to shine a light on all that's great about working in the third sector.

Tim Beynon: Yep, that's right. We're going to be talking to people who work for charities across the UK, hearing about the inspiring things they're doing, so we can all do what we do better.

Piers Townley: And we want you to get involved, too. Tell us what your charity is up to, send us your emails and voice messages and let us know what you want us to cover in future episodes.

Tim Beynon: So that's what the Chad show is all about. Get in touch through the links in the show notes, give us a follow, and let's get on with the show.

Welcome to the show

Piers Townley: Hello and welcome to episode three of the charity show with me, Piers Townley.

Tim Beynon: And me, Tim Beynon.

Piers Townley: What have you been up to over the last couple of weeks, Tim?

Tim Beynon: Well, it's been a, we always say every week, but it's always a. It's always a busy time. There's lots, lots going on. But the firefighters charity, we had a bit of good news at the end of May. Basically, we heard from Buckingham palace, who got a nice letter through from Buckingham palace, that the king has, kindly agreed to be our patron, which is fantastic news. And it kind of continues our, links, with the royal family that we've had for a long time. So the queen was our patron for 69 years. So for all but one year of her reign, she was patron of the firefighters charity. so when she died and we lost our patron, which was, you know, tragic, and we were worried as to what would happen next. So we didn't know. We hadn't got a clue whether or not, you know, we'd get another royal patronage. So, to hear that we did was fantastic news for the charity. Really great. Ah, and, you know, as I said, it's a great continuation for us of that, of that link with the royal family. And I think it's a funny one because I think the royal family gets a lot of negative press, but I think having a royal patronage does an amazing amount of good. and it also not only rusts as a charity, but it recognises the, high regard in which the fire service community is held by the royals as well. And that's really important. So it's good news for us. Does mean a bit more work for me because we spent ages taking the queen's name off of lots of items of collateral and lots of items of letter headed paper and all that kind of stuff. Now we've got to put the king back on. So a bit of extra work, but I don't mind that too much. So a bit of good news for us, on that, on that front. And then the rest of the rest of the last couple of weeks, been a bit half term going on, so nice to take a break from work for a bit and, spend some time with the kids and what have you, but that's all breeds its own stresses. But yeah, so a bit of work and a bit of play the last couple of weeks. What about you, piers? What you been able to.

Piers Townley: Oh, we've had some good news at the charity as well, but just going back to that, that's amazing. To get the king's patronage again. Fantastic. And also then quite fitting that his new portrait is flame red. He almost looks like he's surrounded by flames. Anyway, a very striking portrait. And no doubt you'll be having one of those, on the wall at hq now, over at the brain tumour charity. We've had a very busy couple of weeks around the half term. We've reached the one year mark of our charity partnership with Wix, the retail store, and it's hit 1 million pounds of fundraising and money that has been raised for us. So not only is it a fantastic, partnership that brings together the Wix community, I mean, they have over 230 stores nationwide, and they've all been doing their own fundraising events. But I mean, that's a transformational amount of money for us, as a charity. And the partnership is going to extend for another year. So we're hoping, who knows? We could double that as well. So that 1 million mark and that one year partnership has been taking up a lot of our, comms, time over at the charity and a celebration to the community that's out there, that's supporting us in stores and our wider support as well.

Tim Beynon: Yeah, nice one. I've got to go to Wiggs to get some paint later on. Funny enough, today, I've got to go later on today to go and get some paint. So I keep an eye out.

Piers Townley: Keep an eye out for it. Yeah.

Coming up

So what's coming up on this show today, Tim?

Tim Beynon: Well, we've got, we've got a great show coming, up. In fact, you could say we've got a super show coming up as we've got, we're going to be talking to Sarah White, chief executive of Super Shoes now. They're a brilliantly creative and volunteer driven charity that is basically grown from a dream which started life on, on Sarah's kitchen table, to a national charity that is now supporting hundreds of children living with cancer every year. So an incredibly worthy cause and a fantastic, organisation. And talking to Sarah, actually, we talk about the whole subject of creativity and taking an idea to such fantastic levels as she has got me thinking about creativity, but also about volunteering. June is national, community month. Volunteers week also falls, this month as well. Really important week for volunteers. So what's your experience of both of those peers, in terms of volunteering and creativity? Are you a bit of an artist? Have you volunteered for stuff? What's your story on those fronts?

Piers Townley: I don't consider myself a bit of an artist. I'm lucky to be surrounded, at the charity with some incredible artistic and creative people from the events team that dream up mad events, or, our designers that design all our collateral and help to do all our comms and shape the way that looks. Personally, I love being around it. I love being part of it. I think as a comms team, you have to be around it, have to think in that realm. You have to think creatively to get the charity messages in your comm sorted out. And on a volunteer, angle, they are the lifeblood, as they are of most charities. Our volunteers are just some superb people that support us, whether it's cheer points for the London marathon, or whether it's merchandise packing, or whether it's being our young ambassador programme that has a young people that are affected by brain tumours, that go out there and they campaign and they raise funds and raise awareness and they back all our policy campaigns. So volunteers, as a professional level, part of our charity, they're the lifeblood of it. On a personal level. Yeah. When I can do. I have done, a personal thing for me is it's my kayak and the Basingstoke Canal. There's a volunteer section of the Basingstoke Canal organisation that's, you know, the clear towpaths and do some of that maintenance and just make that part of that community spirit in maintaining that as a thing that's in good shape and is available to everyone who wants to use it. So that's my little bit of volunteer work that every now and again or when I can do, I have done.

Tim Beynon: It's important because, I mean, everyone uses that canal, everyone uses those topars and if no one kept them clear and they just get overgrown and it'd be a mess. So it does feel like, you know, you're doing support in your local community when you do stuff like that. I'm very, very similar. I haven't got a. Well, I wouldn't say I haven't got a creative bone in my body. We're creative every day, especially in a comms front and marketing, you know, you have to be creative to rise above the noise in terms of, you know, in terms of what you're doing. If you were to ask me to paint a horse, on the other hand, there's no chance on earth it would look like a horse. So I have. I'm not artistic in the slightest. My daughter, is, she's incredible. She can, she can draw really well. But yeah, if you'd asked me to draw something like a hand or a person or whatever, I couldn't do it. I mean I look like a, like a, like a two year old's had a go. Terrible. But in terms of volunteering, I spent four years as a beaver leader when my kids were younger and I absolutely loved it. But it was such hard work. It was such hard work. it was great fun, huge responsibility. Looking after a whole bunch of six to eight year olds whose names I could never remember. I was terrible at remembering names. but I did enjoy it. The one thing I did find, I must admit though, as a volunteer, is it's very rare to get. Thanks. That's something I think volunteers put up with, a lot. We would look after all these kids every week and it wasn't that often that parents would say thank you. I find that a little bit galling. It didn't take away from the fact that it was a great experience and I really enjoyed it with the guys I was doing it with. But just kind of think sometimes volunteers don't get that recognition that people do take them for granted. So I think that's part of the downside of being a volunteer. But there you go. It comes with the territory.

Piers Townley: I suppose that's a very good point, actually. I think outside of an organisation, charity organisation, third sector organisation, people don't realise how much of an impact and how much of a necessity the volunteers are for them. That's why things like the volunteering week is so, important to showcase all the incredible work that they do.

This week's news: Rob Burrow and Chelsea Flower Show

It's that time of the show again where we take a deep dive into third sector news. What's caught your eye this week? Ten.

Tim Beynon: Well, I think, the biggest piece of news to happen for a long time that's affected a lot of people and, has made headline news, across the country is the sad death of Rob Burrow, who, impacted so many people's lives. He was an inspirational guy and really, led from the front in terms of the MND community, raising awareness and doing a huge amount of good. And I just wanted to sort of pay homage to him, really. I mean, I think he's an incredible guy, incredible sportsman, with an, incredible history with Leeds, rhinos and England. and he's quite a small guy, but made quite a big impact on the field during his playing days. And then afterwards and over the last four and a half years, as he's been living with MND, what an amazing, achievement he made over that time. Raising awareness and doing so much good and raising so much money as well, for Leeds, hospital charity, as, ah, well, he raised in total around 5.8 million pounds. And I think something that's really worth noting, actually, is that, tragically, really the day after he died, the Rob Burroughs centre for motor neurone disease. The groundbreaking ceremony for that which is essentially Rob's legacy. This incredible building and this incredible place that he wanted to create for, people with motor neurone disease. Literally the spades hit the ground the day after Rob passed away. And, you know, in a weird way, and reading what people say, I'm so glad it was able to happen that day after. And that his family gave their blessing for it. To go ahead and just reading here a quote from professor, ah, Phil Wood, who's the chief executive of Leeds Teaching Hospitals Trust. He said, it's a sad day, but it's also a day to celebrate. We are starting work today on the Rob Burrow Centre for Motor neurone Disease. A centre that was Rob's vision. The new centre will help advance our patient care. Best practise sharing and hopefully research in the long term, which will be such a fitting legacy for Rob. Rob's vision was very much at the centre of this project. And his determination and grit that he demonstrated throughout his life and his illness is really what's got us here today. So I just think what an incredible legacy to leave behind. And, hopefully that building and that place will support people for many, many years to come. And, the impact he's made in that community and in that space will last forever. So an inspiring guy with an inspiring legacy. and I think we should all pay homage to him, really. So that was my news for this week.

Piers Townley: Totally agree. I think Rob's story and his campaigning just united so many people in the community. So many people are not associated with the charity, but took on his story and his background, his rugby career and just. Yeah, it was quite an incredible legacy that, he has left behind.

Tim Beynon: Yeah, absolutely.

Project Giving Back

What about you, piers? What have you seen in the news this week? Actually, I think about it. I think I heard a rumour you've been mixing it with a hoi polloi at the Chelsea Flower show. Is that right?

Piers Townley: I've been dusting off my gardening gloves and seeing if I can get all green fingered. Yes. It's just to highlight, actually that the, obviously, the Chelsea Flower show has been all over the news. This is an, international event. It's world renowned, it's very, very high profile. But one angle of it that I don't think a lot of people know is their charitable arm, which is called project giving back. Now, in the last few years, they have set up, an award so the charities can apply to have their own gardens at the Chelsea Flower show and showcase the work that each charity does and provide a legacy. What's really interesting about is those winning designs that actually make it into physical gardens. They are then taken, they're sometimes they're broken up or as a garden as a whole, they are then put, somewhere of note that is irrelevant to the charity. So this could be at a hospice or a research centre on the grounds of a hospital. So this year, 2024, there were 15 gardens that were awarded space at the Chelsea Flower show. The likes of muscular dystrophy UK, the BAU Research UK, Sue Ryder National Autistic Society, which had a fantastic sensual sensory garden. Bow Research garden was incredible, by the way. They had an edible garden, which was really fascinating. And you can see the flocks of people were really, interested in the story about gut health and promoting the research that the charity did with their edible garden, which was just fantastic. Now, the brain trimmer charity were guests of project giving back. We unfortunately didn't make the final cut. We went through all of the process of it, but just to see these gardens given showcasing was just, incredible. And then to read about the legacy, the way these gardens were then going to live on for each of the charity causes that they represented was just fantastic. So as a thing, as part of the Chelsea Flower show, it was just a really interesting thing to sing back. Project giving back. It's called and I think they're going to be running it next year as well. So challenges will be putting in their applications and getting on board associated designers and coming up with pictures for the application. And we caught up with Melanie Day from the Brain tumour charity. She highlighted the importance of project giving back and the awareness that the Chelsea Flower show can have for individual UK charities.

<name>Speaker C: Unidentified</name>: Partnerships such as Project giving back and working with the garden designers that give their time to design the garden for the charities are really important because they give the charities opportunities that on their own they just wouldn't be able to get, leading to public awareness of the cause and hopefully in the long term, more donations and support their charity.

Tim Beynon: Amazing to hear from Melanie. It sounds like an incredible, opportunity for charities to make an impression at a place where obviously there's a lot of money around as well, the Chelsea and Flower show. So I'm sure it's a great opportunity for charities to mix with some high net worth individuals there as well, I imagine.

Piers Townley: And also you mentioned the king has been patron of your charity there, Tim. Obviously they were there on the exclusive pride this opening day of Monday. So, yeah, the awareness can't be underestimated. This is outside of the UK, internationally, it's a, very renowned event. It's up there with the Ascots or with Wimbledon.

Tim Beynon: You've mentioned lots of people around the Bow Research UK chat. Were they all eating the garden?

Piers Townley: That's one question we didn't do. And I didn't have this, didn't have the courage to reach over and grab one of their blooms because I wasn't actually know what I was going for. But again, a really creative way of representing their research and, you know, a takeaway point, you know, they had an edible garden.

Supershoes

Turning a creative idea into reality is never easy. But turning that initial idea into a national charity, recruiting an army of volunteers and providing hundreds of children with a moment of pure joy during the toughest time of their life, is a challenge that few would ever even contemplate. However, that's exactly what Sarah White, chief executive of Super Shoes, did. A talented artist with a vision to make a difference. She saw how powerful custom designed shoes for children with cancer, featuring each child's favourite things can be. Bringing that vision to life. She has, over the past eleven years, pull together a collective of, ah, brilliantly talented volunteer artists and secured partnerships with household named shoe brands to create a charity is able to bring joy to the lives of hundreds of poorly children each year. Embracing an operational model that combines creativity with volunteer engagement supershoes is a small charity that is making waves. And as Sarah explained to Tim and I when we caught up with her recently, it is a charity with high hopes for the future. So thanks for coming on the show, Sarah.

Welcome Sarah, CEO of Supershoes

We've admired super shoes for some time. The innovation, the uniqueness of them, and the colourful joy they must bring to so many children. Can you summarise what the charity does and the milestones you've recently reached?

<name>Speaker C: Unidentified</name>: Yeah. Thanks, Peter. it's great to be here. Thank you for inviting me along. Super M Shoes is a national registered charity and our mission is to boost the wellbeing of children who are in treatment for cancer. And we do this in a very unique way with shoes and with artwork. we have referrals from all over the country. Every paediatric oncology unit refers children to us. And, we receive a list of things that a child likes. So it could be their favourite tv programme, pop star games they like to play, favourite pets. And so we've received this list, so we know all about them, what they like and also their shoe size. And, what we do is ask one of our volunteer artists to create a bespoke pair of customised shoes, especially for that particular child. So whatever they're into is painted on their shoes and we give them as a gift, which really gives them a big boost, makes them feel super special. We've been doing this now for getting on for nearly eleven years and we've recently delivered our, 7000th pair of super shoes.

Piers Townley: That's incredible. That's incredible amount of pairs of shoes I've come across. Well, we both come across your charity because we know that we know one of your artists. And then from the brain tumour charity, I think a couple of people that we support have had those shoes as well. So it is just, an incredible idea going back to just in the early sort of days. How did you progress the concept? How did you kind of get the idea off the ground?

<name>Speaker C: Unidentified</name>: Well, we never started off to set up a charity and it was what you like, a random act of kindness that grew very organically in the early days. yeah, we eventually became a registered charity in 2015, but in the very early days it was about. It was about a little boy, I read in a paper, live locally in Milton Keynes at four years old, that had been diagnosed with neuroblastoma. So I didn't know the little boy. I just knew of his plight and that his family were, at the time trying to raise funds to take him abroad for potential life saving treatment. And so I wanted to do something to help. I wanted him to help make him feel super special, but I also wanted to raise awareness with people as well. And I'd seen an idea in the States where somebody was painting on shoes for very poorly children and remember seeing the impact it was having. And, I said to my husband, it'd be great to give this little boy a pair of hand painted shoes. And my husband said, why don't you then?

Piers Townley: So it's his fault, then.

<name>Speaker C: Unidentified</name>: It's his fault.

Piers Townley: So when you're going through the tough times or when you're going through tough times, you can point and point the finger at him.

<name>Speaker C: Unidentified</name>: Exactly. Exactly.

Early days of Supershoes

Piers Townley: Was there a moment in the early days, Sarah, where you had a kind of doubt that it would actually work? It would become a thing, I think.

<name>Speaker C: Unidentified</name>: Because we didn't set out to achieve a thing other than make one little boy feel super and to raise some awareness, which we did straight away. what happened then was people would get in touch and saying, could you make super shoes for my poorly child? And it was a case of, how do you say no? So you find a way, to fund the pair of shoes and to find an artist to paint them. And so it grew very organically, and it wasn't, oh, wow, we must do this, for everybody. It was a sort of step at a time, pardon the pun, you know, one pair of shoes at a time. And before we knew it, we'd painted 50 pairs of super shoes. And it just went on from there. Never had any doubts that we could reach the numbers of children that we had, because our artists and other artists out there want to get involved and to give their time. And, of course, we have to do the bit where we go and raise the funds.

Tim Beynon: Of course, that's always the tricky bit, isn't it? It's raising the funds quite often. I, love the concept. I love, the whole idea. I love just that journey of taking a concept, taking an idea, and, transforming it into a charity that is now today supporting so many children in an amazing way, in a very, very unique way. I really love it.

Supershoes' volunteer model

Tell me a little bit about the model, Sarah. in terms of, we are, aware so many charities rely on volunteers, but the model for super shoes very much relies on at its heart, you have that army of artists. Tell us a little bit about how that works, how you work with them, and how that whole sort of model of engagement with your volunteers works.

<name>Speaker C: Unidentified</name>: well, I think it's we have 250 volunteer artists currently, and the way it works is they get to choose as and when they paint. so we ask an artist, when they join our team, to paint a minimum of three pairs a year. But to be honest, painting super shoes is quite addictive. And most people have painted ten pairs within a space of two months, and so it goes on. And we've got artists that have painted over 100 pairs. We've got one artist in particular that's painted over 200 pairs. And I think what it is for our, volunteer artists especially, is that they may not be fortunate enough to make an living from their creativity and, few and far between. can you actually earn a great living from art? Unfortunately. So we have a lot of artists that have this amazing gift and talent, but they don't use it as their day job. And for them to be able to paint such a unique gift, for a very, very poorly child, and then actually to see that child wearing them is really magical. I mean, what, what a great gift. You are so much part of the journey for that recipient and their family.

Tim Beynon: Obviously, June always shines a spotlight on the incredible work of volunteers across our sector. Tell us a little bit about as you grow and that number of volunteers grows, how do you engage with them? How do you keep them engaged? How does that work? Is that an increasingly hard challenge as you grow in size?

<name>Speaker C: Unidentified</name>: Yes and no. I think the way that we work is we have a closed Facebook group where all of our artists are members of that group. So that's where we communicate about what the charity is doing, what we need right now. so it has such a lovely team aspect to it. Although these individual artists, we're all working towards this bigger, Cause this bigger picture, and that's how everybody feels part of it. and people share their artwork on there, and there's a lot of beautiful interactions where maybe an artist has found a great technique for creating a galaxy sky, and they filmed how to do it, and that will be. It's a very giving environment, the whole Facebook group in itself, having all these volunteers in one place. And I think when an artist signs up and becomes part of that, they feel that even though they're not in the same location, we have artists all over the country. it's a big part of what we do that they feel part of it, and, of course, that's where they select the shoes that they paint as well within that group.

Tim Beynon: I think that's an important lesson there for people in terms of that, the importance of community importance of, you know, volunteers aren't individuals working in isolation. They're often part of a community and you're bringing them together. So I think that's a really important lesson there.

<name>Speaker C: Unidentified</name>: Yeah, yeah, definitely. I mean, our artists are all from very different walks of life. We have, or we have tattoo artists, face painters and body painters, makeup artists. We have art teachers, lecturers in art, and then we have people that don't do anything with art in their day job. We have a HGV driver. She's a brilliant artist. And it's kind of just have this inbuilt skill, creativity that they can use as an outlet for super shoes. So this sort of melting pot of volunteers, if you like, it all works beautifully when they come together because our, our common reason for being there are perfumers is to boost the wellbeing of these brave children.

Tim Beynon: as piers mentioned, we know one of your artists, Lisa D'Souza, who's a brilliant local creative, very super, super talented. If there are other budding lisas out there who listening to this or finding out a bit more about supershoes, might m want to get involved? How can they do so?

<name>Speaker C: Unidentified</name>: Oh, yes, please. go to our website. We would love to hear from you. You go to supershoes.org dot UK artists apply and get in touch with us there and tell us a bit about you or send us some pictures of your artwork.

Piers Townley: And obviously, Sarah, every volunteer artist has a unique style, and I guess the same can be said from each of the children. So they want their own personalised shoe. Is it tricky matching the design with the artist or vice versa? Is that a little bit of to and fro?

<name>Speaker C: Unidentified</name>: Well, it used to be in the very early days when we had probably about 20 artists, I used to choose the design for the artist. And, you know, I used to think, well, such and such is good at, portraits, you know, will you do these? And then actually, as time went on and we had, a bigger group of artists, we actually now allow the artist to choose what they want. It's far, far better than me trying to select a pair because it gives the artists the autonomy to, play to their strengths. or if they're feeling particularly confident, maybe they've painted, you know, 1015 pairs of shoes and maybe they want to push what they would normally paint, into a different style. Or, you know, it's kind of left with them and trusting them, to make sure that they selecting something within, within, you know, their creativity set. But like, going back to Lisa and her incredible skill at pet portraits. It's phenomenal what Lisa can do. you know, when we first saw her very first pair of super shoes, it was a wow moment. You know, when we open them in the office, it's like, wow, how can that be so, perfect when you look at that portrait? and it's great that Lisa. Then, you know, when Lisa's available, she'll step forward and paint the pet portraits, because we don't have a lot of pet portrait artists, so the team kind of works. So it's dynamic working to our strengths. But, you know, there's so many different things that we paint, because the age that we paint for is little babies, sadly, you know, four month old babies right up, to the age of 18 currently. So if you can think about what, a recipient might be into, it's kind of vast. So there's something for everybody. And, from a Thomas the tank engineer or a peppa pig right up to sort of more young people's interests.

Piers Townley: That's an incredible amount of stories out there. That's an incredible amount of children out there who wanted to get involved. So, I mean, the personal stories we know from all the charities, it's the personal stories that are, the lifeblood of what we do. Is it fair to say that's born of your, your biggest promotional assets, the personal stories there? And are parents and the children always kind of willing to sort of help share, their stories to help, you know, boost the awareness of the shoes?

<name>Speaker C: Unidentified</name>: Yeah, not always. some families are incredibly private about their journey, and that's absolutely fine. We respect that. we don't expect, to see photos and videos of children, but we do love it when that happens, and we do see shoes being worn, and especially for our artists, you know, when they've given m maybe an entire weekend to painting a pair of shoes, then to see them being worn or walked in. And sometimes you get, you know, videos of kids running and jumping in their super shoes, and you think that's really what we want to see, is the fact that, you know, it's encouraged them to get up out of bed or off the couch and make feel like they want to run a jump. And little super, a lot of little children can say they feel like they've got superhero powers when they wear their super shoes. But, yeah, I mean, the stories, they speak for themselves, and we let that happen. Our recipients, they do all the talking for us. Parents telling us that it's the biggest smile they've seen in a long, long time. And that we've managed to capture their child perfectly on a pair of super shoes, and that they feel more confident wearing them and it's something that they're friends can't have and it makes them feel special. And it's also, interestingly a talking point where people might not know what to say to a very obviously poorly child. But we quite often hear that people will start a conversation about their shoes. you know, like, wow, they're cool shoes. And then the child can then talk about their interests and what they like and they can also say, well, I've got these because I've got cancer.

Piers Townley: Yeah.

<name>Speaker C: Unidentified</name>: And we find that as quite often that's fed back to us as a conversation point and allows them the control to be able to talk about what they want to talk about and also putting the design together, you know, thinking about what they like and what they're in. Yeah. It gives them the control that they might not otherwise have in day to day life.

Tim Beynon: It is incredible. I mean, the shoes, looking at some of the pictures of some of the shoes are so beautiful and so incredibly detailed and, you know, I don't know how I'd feel, actually, if I was an artist seeing. I mean, you want kids to run around with them, but I think, you know, also she just got one of them to stay on a shelf in, or in a display cabinet somewhere. They look so beautiful. But yeah, of course you want to see kids running around in them. Of course you do.

<name>Speaker C: Unidentified</name>: Yeah. I think some of the best photos we've had are actually in really worn out. Worn out and beaten up shoes that have been outside, because that's what we want ultimately, is for those shoes to be worn to the park, on the climbing frame down the slide. You know, that's, that's what, that's what they're there for. So we love that.

Tim Beynon: Absolutely, of course.

The power of being a small charity

as we sort of head into June, we're also coming up to small, charity week, which falls, at the end of June. tell me a little bit about how you find competing. Obviously, there are some huge cancer charities out there that, vying for every penny in people's pockets and vying for attention and publicity and awareness. You are relatively new to the market, as it were, and having to sort of take on those giant organisations. How much of a challenge is that for you? are you, having to sort of look over your shoulder a bit at them or do you find that there is plenty of space out there and that actually, you know, there is room for super shoes.

<name>Speaker C: Unidentified</name>: It's an interesting one. I don't really see, the competitiveness and I never have. We work with a very large charity, young lights versus cancer, where, ah, they're our referring partner and we have a national agreement with them and we wouldn't be able to reach all the children that we reach without them. M so it's a great relationship in the fact that they refer children to us. We know that they're eligible for super shoes because they've been referred and so actually we find a larger charity. Working with the large Tarris is certainly very, very useful, in doing what we do. I think there's room for everybody. I think we're all doing the best we can. We're not big enough to have a marketing department or, we don't have any expertise like that in the charity at the moment. we've only got two part time employed staff. Everybody else is a volunteer. and I think in some ways being a part of something, maybe classed as smaller, but mighty in the fact that you're part of it, stands us in good stead, if you like, for people being fulfilled. And I think for all volunteers, there's something within us that wants to contribute and make the wilderness a better place for others. And I think being a smaller charity, you can do that and see the outcome yourself of what you've done. And I think, that's how we look at it.

Tim Beynon: I can't remember the stats, but I think looking into small charity weeks, something like 95% of charities in the UK are small charities. It's a vast number of organisations like supershoes that are doing incredible work. But on a micro, it's not that you're doing work on a micro scale, but compared to some of, those giant organisations, you are operating on a different level but doing an incredible amount of good. What's the biggest challenge that you find? Being an organisation of your size, I.

<name>Speaker C: Unidentified</name>: Think it would be great to have that team, more of a paid workforce in place. I know it's coming up for national volunteers week and we certainly couldn't do what we do without the volunteers. But having a, paid workforce in place where you have somebody that's doing your social media for you, someone that's doing marketing, it's a little bit more all hands on deck approach, which is fun, it can be challenging, but looking to the long term sustainability, that's what I'm looking for for supershoes is to have some more key positions as paid staff that can take on that role and drive it forward. But I think we would never be where we are without our incredible volunteers. But we just need that sort of supporting pillars if you like, rather than it sitting in just one person or two people's lamps.

Working with partners

Tim Beynon: And tell us a bit as well about partners, about how you work with your partners. Obviously really important. notice that I think it's converse and shoe. Our major partners, they're big brands, themselves. how do you find working with partners in terms of getting them to put pen to paper and being as committed as they are?

<name>Speaker C: Unidentified</name>: Wow, it's been tough. I remember with the first numbers of pairs of super shoes that we created we couldn't get a discount for the shoes that we were buying. We had the buying power of one person going into a shoe shop. But I think you can't ignore what we've achieved. Commonwerse have been incredibly good to us. We now have an account with them and we get our shoes when we need them and they've been really, really good to us. I think it took a long time to engage because they're a huge organisation. They're owned by Nike, based in the Netherlands. So to get attention when you're a tiny, tiny charity m painting a small number of shoes which we were then, so we've opened a dialogue with them for quite a number of years and then two years ago I got to go and meet with them at headquarters and told them a few stories about what we do with their shoes. and it really does well with the converse brand themselves which is all about self identity. Ah, if you look back through the Chuck tablet years it's all about self identity. So what we do with the shoes, slightly different but it's still about self identity.

Piers Townley: And I guess the beauty of those shoes, Sarah, is what it literally is a canvas in physically with the material but also with the way those shoes are. I mean they are and then they become such a lifeline, such a personal thing for the children that have them. Do you consider any other items to personalise? Is there anything else that you were looking?

<name>Speaker C: Unidentified</name>: Yeah indeed. And so I think it was going about four years ago and we were approached by a support worker for a young boy who was unable to wear shoes. And she said we really do need to give him a boost. He's having a really hard time but he can't wear shoes. What can you do? so we put our thinking cap on and came up with a super cap. it's a baseball cap that we paint in the same way as the shoes. We personalise them. We can't get as much detail on because it's just one small area, if you like, but we can still make something really special. so the supercaps are now an option. we paint probably about four a month. The, mainstay is super shoes, where at the moment we're creating about 20 pairs of super shoes. Every week we post 20 pairs off to recipients and we send 20 pairs off to artists waiting to paint. So we've done the super cap and we've also painted a t shirt. this was for, a little girl that couldn't tolerate very much at all. when you're going through such treatment like chemotherapy, it can make your skin incredibly sensitive. And she couldn't wear shoes or caps or anything, really, other than a t shirt. So we painted a t shirt for her, which she thoroughly enjoyed, but that's not so much an easier thing for us to do. The shoes and the caps are a little bit easier to work with because they're canvas. I bought a pair of shoes to show you, actually. M if you like.

Piers Townley: Please show. Yeah, please, please describe them. Which ones have you got in front of you there?

<name>Speaker C: Unidentified</name>: Yeah. So these are for 17 year old Georgia. And she loves Doctor who. You see the Tardis and David Tennon Doctor who especially. And she also likes Spider man. And so she wanted the shoes to be very different. And so most of the time the shoes are.

Piers Townley: Is that a left on the right there?

<name>Speaker C: Unidentified</name>: Yeah. Yeah.

Piers Townley: That's fantastic, because the design you're showing us is covering the entire converse, isn't it?

<name>Speaker C: Unidentified</name>: It's painted all over.

Piers Townley: Beautiful.

<name>Speaker C: Unidentified</name>: Yeah. So each shoe is generally different. You'll have a, different, match up. but this was specifically asked for. Georgia wanted a spider man shoe and, a da lintenant doctor who shoe, to have that separate. But in 17 years of age, she knows what she likes, but hopefully we've done her justice. They're going to go off to her tomorrow, so hopefully they give her a big smile and make her feel special.

The future of Supershoes

Piers Townley: What does the future hold for super shoes? What are the ambitions? What are the things that you're maybe nervous of going forward? Obviously try to compete in this very cost of living crisis is very difficult times for charities. And what are the things you're, looking forward to for the next few years?

<name>Speaker C: Unidentified</name>: Yeah, well, I've, I've got no doubt that we'll always continue with what we do at super shoes, even if it had to go back to my kitchen table, and, where we didn't reach as many children as we do now, but we can curl up in a little ball if we have to, but we can still continue with what we do, so we can scale down, but hopefully what we will do is scale up. So we're looking for more artists to join our team, so we can reach more children, because we know that there's twelve children every day are diagnosed in the UK with cancer. So there's so much more that we can do. We want to reach children first and foremost. But there's other activities, that we've done in the past that we want to be able to do in the future as well. In 2018, we held a super arty party where we invited hundreds of children and their families, to an all day event. It was actually held up in Birmingham, where we had all kinds of activities. We had live music, stream food, we had a disco, a circus act. But the main part of that day was a, massive big ballroom, if you like, with ten tables dotted through, and each table has an artist facilitating an art project. And it was all about the self and that self identity. So what can we put a name on? You know, let's do caps, pencil cases, bags, purses, you know, you name it. We got kids putting their name on everything, and, drawing and painting and glueing and sticking. And the feedback we had from that day, it was incredible. It wasn't just the child, the Pawnee child, it was the whole family. You know, they were engaging with other families, where they maybe only just see them in the hospital wards passing by. They actually got to sit and chat. And for the whole family to enjoy a day like that, we want to do more of that in the future. So that's our plans, is to reignite that, super arty party, which, of course, we had to stop during the pandemic.

Tim Beynon: I love that idea. Fantastic. Fantastic idea. And I wish you all the very best for the future.

Advice to others

Final question from me, Sarah. What advice would you give to someone who may be listening to this, who is creative, has a creative idea, and wants to do good, and perhaps is inspired by the story of supershoes? What would your advice be to them?

<name>Speaker C: Unidentified</name>: I'm going to steal or borrow a well known catchphrase from a shoe company, which would be, just do it. just do it. It might fall flat on its face, it might be a disaster, but actually, it couldn't more likely be an incredible journey, maybe a rolling coaster at times, but you'll be with people with like minded attitudes that wanting to do something can make a difference to people. And, yeah, I don't regret it for 1 minute. It's been an incredible honour to run.

Piers Townley: Super shoes and it's an amazing charity, Sarah. So if people go over and supershoes.org dot uk, there is a gallery there. I'm just looking at it now. Hundreds and hundreds of just outstanding pieces of art. I mean, your volunteers are just a lifeblood and the children's stories are just incredible as well. So a fantastic charity. Thank you so much for coming on the podcast.

<name>Speaker C: Unidentified</name>: Thank you so much. It's been a, pleasure. Thank you.

This week's Superstars

Tim Beynon: Okay, it's time once again to give a shout out to some brilliant people. In each episode of the chat show, we want to celebrate some of the incredible people working, volunteering and fundraising across our sector. And you can nominate your deserving colleagues, volunteers or superstar fundraisers too. Just email us at, thecharityshowpodmail ah.com or get in touch through the links in the show notes. You can even send us a voice message that we can play out in the next episode. And this week we had a great message from Nikita Schiele, who works for a youth focused mental health charity called the Wolfpack Project. And, ah, Nikita wanted to nominate volunteer Nihar Kandakar, who says Nikita has volunteered more than 500 hours towards the charity's cause, specifically helping to raise awareness of the charity's campaign for men's mental Health Month. NiHA was out and about on university campuses, spreading the message about all the incredible work that the Wolfpack project does to help reduce loneliness and promote positive mental health amongst 16 to 35 year olds. So we just want to say well done, Nihar, we think you're brilliant too. And thanks so much for the nomination, Nikita. And for anyone else listening, if you've got an amazing a supporter, an amazing volunteer, amazing fundraiser, someone you want to give a shout out to, just send us an email or get in touch with the show notes and we'll give them a shout out too. So that's neat. what about you, piers? Who have you got this week?

Piers Townley: I've got a wonderful story about a wonderful fundraiser this week. My superstar nomination is for Shilpa Sheddev. Hopefully I've pronounced her name right there. She recently jumped out of a plane on her 30th birthday for leukaemia UK. Now, the lovely detail about her is that after needing blood transfusions following her own leukaemia diagnosis as a teenager, she's now working for the NHS as part of their blood donation service. And Sheila said the diagnosis had such a huge impact on my life in so many ways. Professionally. It's so rewarding being able to talk to patients and donors. I do share with them that I'm a regular recipient of donated blood. The response is phenomenal when they see a living example of the reason why they donate. This is also about giving back to a cause, she said, which has profoundly impacted on my life. In fact, I owe my existence to the incredible work, of leukaemia UK. I would encourage others to support the charity in any way that they can. So, a wonderful story of someone who's benefited from all the hard work and all the dedicated research and support that charity does. Giving some of that back and also inspiring Shilpa, in her career, actually working for the NHS. So, a wonderful story this weekend.

Tim Beynon: Yeah, amazing. Just something also, just to just pick it up on, something that you mentioned in there. Of course, people who give blood, they're the ultimate volunteers, aren't they? What amazing people. Shilpa benefited, hugely from blood transfusions, which she's needed following her diagnosis. But it wasn't for those amazing volunteers who take themselves to the blood donation points and give a pint, whenever they do. Amazing people. So we must thank and recognise all of them as well, especially as it's June is volunteers and community month. So give them a huge shout out.

Piers Townley: Exactly. I've got a couple of friends who are kind of have a competition about how many times they have donated blood. It's getting quite out of hand. But yes, you're right. A fantastic way to volunteer and to give back.

Tim Beynon: They're just doing it for the biscuits.

Piers Townley: They are. The biscuits in the cup will take.

Coming soon

Tim Beynon: So that's it for this episode. Huge thanks to Sarah White for sharing the story of supershoes and hopefully inspiring all those creative people out there to think about how you can use your talents to change lives. What have we got coming up over the next few weeks, piers?

Piers Townley: Well, we're going to ask whether we should all be running scared at the prospect of AI taking over the third sector, or alternatively, embracing it. We're also going to discover what it takes to be a great strategic leader and shine a spotlight on the psyche of the average great british donor.

Tim Beynon: That all sounds great. Got lots coming up there. Looking forward to all that. Unless, of course, I end up getting replaced by an AI, voice you never know. Could happen. And there are loads of ways you can get involved in future episodes, too. We'd love to hear about the great work your charity is doing, for example. Or if you've got an idea for a topic or a story you'd like us to cover, let us know about it.

Piers Townley: Absolutely. You can get in touch through the links in the show notes or email us at, thecharityshowpodmail.com. so come and join us to share your great work, or nominate someone outstanding for a superstar of the week mention.

Tim Beynon: And in the meantime, please follow us on your usual podcast platform and leave us a review, both of which help other charity folks to find the show.

Piers Townley: So that's it for this episode. Take care and we'll see you soon.



Episode 13 - Full Transcript

  LINKS TO ALL PODCAST PLATFORMS Welcome to the show Piers Townley: Hello and welcome to the Charity show, the podcast for Charity Insider...