Monday, October 28, 2024

Episode 12 - Full Transcript


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Welcome to the show

Tim Beynon: Hello and welcome to the Charity Show, the podcast for charity insiders by charity insiders. Please rate, follow or subscribe to us on your usual podcast platform. And here's what's coming up in episode twelve.

Piers Townley: I think this is quite the shocking statistic. If you believe we're a nation of pet lovers that are leading animal rescue Charity, cats protection. It's found that in the first seven months of this year alone, abandoned cat cases of sort of 30%.

Adeela Warley: And I think since Elon Musk took over, Twitter and turned it into x, there have been rising concerns about the lack of investment in content moderation, how the algorithms are working to promote the worst aspects of humanity, about safeguarding the users on your platform and tackling misinformation. And Elon Musk's personal posts on the platform, have really driven some very, very divisive things, and not just in the online space, but with quite devastating real world, consequences.

Tim Beynon: Organiser Michelle Oldfield rallied her community to take part in a photo shoot for the cheeky 2025 calendar. the months feature more than 30 people and capture the stunning beauty of the veil of Belvoir, the stunning beauty of other aspects as well, I imagine, and has so far raised 2000 pounds for breast cancer now and prostate Cancer UK.

Piers Townley: If my fundraising team suggests such a thing like that, then I will definitely be politely declining that one.

Tim Beynon: What month would you choose, mister M?

Piers Townley: September. Also. Never going to happen. No. Never going to happen.

Welcome to Ep.12

Tim Beynon: Hello and welcome to episode twelve of the Charity show with me, Tim Beynon head of marketing engagement at the Fire Fighters Charity.

Piers Townley: And me Piers Townley PR manager at the Brain Tumour Charity.

Tim Beynon: So what's been going on, Piers? What's your last fortnight look like?

Piers Townley: It's actually been a weird kind of forward planning moment, for the Charity. We're actually looking now to March 2025. But March is the Brain Tumour Charity is kind of hero awareness month. It's officially known as the Brain Tumour awareness month, so it's BTAM for short. And during that we have our twilight war, which is a bit of a kind of a hero campaign, a fundraiser awareness for us. Everyone in the community comes together, we do it ten k and a five k, walk around the location. And since COVID we've had to scale back and just focus on being in London. But this will be the third year that we're in London. So the twilight walkers, we've been building all the materials, all the comms, all the, engagement and the segmentation over on our email journeys. And that's just launched today, actually. So the two weeks before this or actually more than two weeks before this, all the teams have been building up. And as a comms team, as a pr team, we're kind of on the periphery at the moment. We will start stepping up our involvement. Yeah. Busy, but also that kind of. Okay. We're looking now six months in advance and other things beyond Christmas, which is kind of a disjointed, but it's just the way all charities work, isn't it? I guess so. You've been the same.

Tim Beynon: Yeah. It's funny you talk about twilight, twilight walk. I can't help but think of the do gooders show, which we, Garrett was on a couple of weeks back, and obviously the, the tiki torch walk that went terribly wrong. But, yeah, yours is not going to go wrong. You're not going to have the police chase you and all that kind of stuff.

Piers Townley: There's no tiki torches. There won't be more warning. Hordes of tiki wielding supporters.

Tim Beynon: Yeah, absolutely. Yeah. Same for us, really. Here at the firefighter strategy, there's lots going on as ever and forward planning again. And Christmas seems to be forefront of everyone's mind at the moment. So we're talking about all the things we've got coming up for Christmas and then looking ahead to January as well. And it's funny how you got to really start thinking about those January deadlines and getting things to the printers in time because things close down over Christmas and so on and so forth. So everything becomes a little bit kind of, geez, you've got to think about, take that Christmas break into account and think ahead. So I'm still in denial that it's happening at all. I'm so massively unprepared for it. Personally, I haven't even thought about it. I do know people. I don't know, where you sit, on this issue, Piers. People who've done their shopping and wrapped it and stuff already. That's alien to me completely. Shopping is something that happens in December, not in, not in October.

Piers Townley: As unnamed member of my family was boasting how they bought some of their Christmas stuff last year in the sales and they're very, very pleased with themselves that it's like I'm like I'm literally just waiting until I get through to the weekend at the moment, let alone in six weeks time.

Tim Beynon: Whenever that Amazon Prime Day is, just blitz it on that one day. Get everything sent. That's, the, that's the mission. So I must ask you, though, before we get onto charity related stuff, as someone who has a young dog like I do, I'm really, really struggling to stop my dog from digging up the garden. This puppy, almost six months, is basically turned our garden into, like, the som. It's insane, the amount of digging. Do you have any tips? Any tips to stop a dog from digging up your garden?

Piers Townley: No is the answer. But you get so much unsolicited advice. I think it's probably like having kids. It's like having pets. Everyone's got a solution, everyone's got an idea.

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Piers Townley: Do they work? I don't know. It's just trial and error, right?

Tim Beynon: I want to hear from all this. I want to hear from all those Charity, animal Charity people out there. What are their tips for stopping a dog from digging up the garden? Because it's driving us insane.

Piers Townley: Back to your dog's hand. Give us a shout. What can you do? How can you help?

Tim Beynon: Absolutely.

Shining a spotlight on the ethics of social media

This week, though, we're shining a spotlight on the ethics of social media. and it's fantastic to have our guest, Adila Worley, CEO of the fantastic Charity comms, on the show a little bit later, working in comms biz, and it's part of our daily lives. Of course, social media can't escape it. But how do you personally feel about it? You know, work aside, how do you feel about the whole social media thing?

Piers Townley: It's tricky, isn't it? Because I think, I mean, I'm of the agent. I think you are, Tim, as well. Where we weren't digital natives when it comes to social media, we've had to learn at speed in our roles and our various careers, and now it sits at forefront of, I think, of what we do as a comms team. I mean, we have a brilliant social media team, a lot younger than me, a brilliant social media team with the Brain Tumour Charity, and they're all over the channels that we use. But it's interesting to find which social media works with different segments of our supporters. So our Facebook, for example, our Facebook groups, they're closed. And they're still a really big part of what we do as our comms and our outreach towards our supporters. Our social media team are doing things on Insta and TikTok that I think is just largely witchcraft. So for me, it's been a really interesting and essential part of what we do as comms. Part of my role is to look after our celebrities. I do a lot of direct messaging with them that could be over one insta. It could even still be on x. so, yes, I'm happy to learn. I'm happy to use it as part of my armoury.

Tim Beynon: Yeah, I think. I agree. I think we're at risk of standing like grumpy old men here, I think, because we're of a certain age where there's a whole generation, after us who are much more au fait with social media than we are. But, yeah, so I feel increasingly out of touch with it, I must admit. and the scene, the stuff which my kids watch and the stuff that they engage with on social media, it's way out there. I am quite impressed by some of the high production values of some of the stuff that gets churned out. It's quite impressive to see the amount of stuff that is produced and also the quality of stuff that's produced and how easy it is to create really high quality content. I think that's really fascinating, really interesting. But no, I am definitely out of touch.

Piers Townley: It's also interesting to me. Is it? People say, oh, yeah, we do social media, or I do social media, and that is like you do social media, but actually, when you get into it, it's a highly specialised and increasingly so. It's not just about churning out content, it's what we've had to do it with, the Charity show, it's the scheduling, it's the timing, it's the analytics, the metrics behind it, it's the trend spotting and responding to that.

Tim Beynon: Yeah, it's interesting to see how that will evolve. Wonder what influence AI will have on social as well. It has been fascinating to see the amount of content and AI generated, content that's been churned out in America at the moment as a result of the us election. And also, the other thing that kind of scares me a bit about social media is how the algorithms work. Again, this is wishcraft, in terms of fact, that you could be looking at something on to buy on Amazon, and all of a sudden you jump on Twitter or Facebook, whatever, and you're being shown ads and content relating to the thing you were looking at on a completely separate platform. That kind of stuff really sort of blows my mind in terms of how that works. And then it worries me as a parent in terms of the amount of doom scrolling that kids are never to be do when they're on social and the kind of things that they're being shown and they're being seen again, those algorithms are just chucking stuff at them that they might not, that the big computers in the sky think that they want to see, but it might not be appropriate at, all. So that really terrifies me.

Piers Townley: It's an emerging thing, isn't it? And the generation they're dealing with now, are, ah, the canaries in the mine really, to see what happens with it.

This week's third sector news

Tim Beynon: Right then, let's take a look at some third sector news. What jumps out at you on your social feed this week, piers?

Piers Townley: So on the back of the news we featured about dogs and animal charities in a very recent episode of the show, is to do with the increasing number of older dogs being given up and the charities having to respond to this. This time, for me, more animals. But it's all about cats now. I'm a reluctant adult person. I had to bow to the pressure from my kids over the years. But I think this is quite the shocking statistic, if you believe we're a nation of pet lovers, that a leading animal rescue Charity, cats protection, it's found that in the first seven months of this year alone, abandoned cat cases have sort of 30%. Last year they said they helped around 184,000 moggies, which is about 500 a day. So really, the demand for these charities, these animal charities has gone through the roof and they've cited in their reports the pandemic lockdown boom for cats and dog ownership is hit bust, they say. So the cat protection has said that, increasing vet bills, cost of living, prioritising household budgets, all of this has fed into this crisis, as they've called it. And a great piece of research they've done, which is a bit of genius in the title as well.

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Piers Townley: It's called cats and their stats. And this piece of research found that one in three cat owners feel greatly impacted, is the quote, by current financial climate, 18%, which is a lot of people are, cutting back on vital vet services such as vaccinations. This has drawn the RSPCA into the problem as well. And they're urging people to adopt rather than buying a pet, saying that research centres are, quote, drowning in animals. And of course, the RSPCA and our, connections on that Charity will feature in upcoming episodes of the show. But it starts figures all around, whether you're a cat or adult person.

The Prince's Trust is rebranded as The King's Trust

Tim, something that jolt out at me this week. What about you?

Tim Beynon: News that I spotted this week, I think, something that really, really stood out for me, because I love a bit of brand branding, and obviously we've talked a lot about brand on the show before, but this is a royal rebrand, so this is rebrand on a whole other level. So it's a great story. So this is a story about rebranding. Everyone's probably aware of this already, but the prince's trust is rebranded as the king's trust for obvious reasons. and you know, this is a big deal, logo change, name change and everything that goes with it. But the man who's done it, James Somerville OBE, did, it on a pro bono basis, because he himself, was a former beneficiary of the prince's trust. I think that's just a really nice story. So this chapter, James Somerville OBE, and he's very famous in the design world. I'll just read you a little bit of his background here. So he is one of more than 1.3 million people who have been supported by the now Kings Trust, around the world today. He co founded his first design agency, Attic, with the support and a grant from the trust in the UK in 1986 when he was a 19 year old street artist in Huddersfield. Since then, he's gone on to achieve amazing, success. he's become one of the UK's most respected or his firm has become one of the UK's most respected design firms. Bought out by a, japanese company in 2007, he went on to become vice president of global design at Coca Cola. You don't get bigger than that, really, in terms of design jobs. And he now lives, in, Atlanta, Georgia, and is a patron of the trust as well. And he's given back by rebranding them as the king's trust. and that's an amazing story, for them, I just think a really nice story all round, and a great bit of branding. So the prince's trust is now the king's trust. So that was something that jumped out to me.

Invisible chips

And the other one, the other story, that's a cracker for two reasons. Firstly, the story, the title of the story, invisible chips, that's a great story. Caught my eyes straight away. And it's basically, a restaurant in Amesbury. Portions are giving away portions, or actually rather not giving away. Customers are buying portions of invisible chips in, order to raise money, for a hospitality action, a Charity, that looks after the hospitality sector. So diners, choosing to buy invisible chips for two pounds, to the catering industry Charity, which supports anyone working in the hotels and catering industry in their time of need. And the other reason this jumped out to me, this story is the chief operating officer, is a guy called Adam Charity. What awesome name, but brilliant name. So two reasons, yeah, brilliant, Adam. Charity doing fantastic Charity work. So well done, Adam. You're living up to your name there. Awesome work. So, yeah, there you go, two cracking stories this week.

Piers Townley: I expect someone to come up with invisible mushy peas next. Let's crack on with the Friday night dinner. Being invisible and charitable, I'd give to.

Tim Beynon: Charity and take actual mushy peas. Love mushy peas.

The problem with X

Two years ago, Elon Musk bought Twitter for a staggering $44 billion, soon thereafter dropping its familiar bluebird logo and rebranding it as x. Since then, though, the platform has been undergoing a transformation. 80% of its workforce has been cut, content moderation rules have been relaxed, new features have been introduced and charges applied. The result, according to many commentators and critics, is that x has today become a hotbed for misinformation and hate, with an increase in engagement with extreme content mirrored by, a decrease in engagement with fact checkers and less biassed media. So where does all this leave charities today? A strong social media presence is vital to most charities comms plans. It's something we're all very familiar with, allowing them to engage directly with their beneficiaries and supporters. But our charities now facing an ethical dilemma when it comes to X. Adila Warley, CEO of Charity Comms, thinks they are. And the membership organisation for Charity Communications professionals has consequently scaled back its activity on X as a result. Others, meanwhile, like Akivo, have withdrawn from X completely, stating that it no longer aligns to their organisational values. Is this a turning point for charities in terms of their use of social media? What are the implications for comms teams, and does this now open the door for new emerging social media technologies? We sat down with a dealer recently to find out.

Welcome - Adeela Warley, Chief Executive, Charity Comms

Adida, great to see you. Thank you for joining us here on the Charity show. It's lovely

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to welcome you onto the show. As comms guys, ourselves, piers and myself, we're very familiar with Charity comms and big fans of all that you do, so it's fantastic to welcome you onto the show today.

Adeela Warley: Thank you very much for having me.

Tim Beynon: No, absolute pleasure. And I suppose that's one of the reasons why we were really fascinated, because we are comms guys ourselves, about charityCom's decision to kind of scale back your activity on X. It's something that seems to be in the news quite a lot recently. But tell us a bit about, why you decided to scale back, and why now?

Adeela Warley: So, like most charities, we monitor our social media channels regularly. That's a job that's never done right. And this analysis informs our wider social, media strategy. And after some really thought provoking discussions with the team, with our trustees, we decided to scale back activity on X. And we were on a journey like many other organisations and we'd already started to think about a new social media strategy and to try and align it with our organisational ambitions. And so we were reviewing also our channel insights, how were our channels performing? And the changes on X have given us more momentum, I suppose, to make that decision and to scale back and actually invest our resources in a more dynamic approach to social media. So we're going to keep monitoring X, for ourselves, and for the sector, and we'll continue to support our community who are struggling with some of these choices themselves.

The question of withdrawing from X completely

Tim Beynon: Sure. And when you were having those discussions, you were talking about what steps to take was the prospect of withdrawing from X completely on the table. Was that something that you discussed?

Adeela Warley: Yeah, yes it was. but we decided that it was actually important to, for now, to still put some time into being on that channel. Many of our members are still there and we have a role in seeing what they're up to, helping to be their champion, spreading messages about their campaigns and their asks. But it's also a place where we track what's going on in the sector. It's the place for breaking news. So those things are still quite important to us and so that's why we haven't chosen to completely leave the platform for now. I mean this is a really, really live issue for so many organisations and I think that's what's prompted you maybe to ask to have a chat about it because we've seen certainly in the sector price lots of charities adopting a whole spectrum of positions. and that's right, because I really feel that there isn't one solution that fits all that. That definitely isn't the approach. And it's interesting, I think over the summer when there was so much unrest in the country, many charities took to their social media channels and they did so in order to really champion the communities that were being targeted by hate to communicate really powerful counter narratives. and I was really struck by the fundraising that went on. I think I'm sure you'll remember that Citizens Advice office in Sunderland was vandalised and there was a fundraising effort on social media to help repair the damage. So I think all of that shows just how social media continues to be a part of most charities toolkit. And I think communicators at the moment are really on the front line. They're being asked to advise their CEO's, their trustees, also staff and volunteers in their organisation about what they should do. And because of that, we wanted to support them. And we held a recent social media event which created a safe place to reflect and to share their thought processes of what was going on for them. And we found some really, we discovered some really, important take home messages and I'll talk to you a bit about those now. So the first thing was that charities, I said that there's no one size fits all, and that's because charities need to start with their mission. What do they exist to achieve? Who do they need to reach and engage to drive the change that they're there to achieve? So keep the mission in mind, also to be really data driven, because I know from talking to people that it's all too easy to be caught in the middle, in a crossfire of different people's opinions and assumptions or their personal values that they bring to work and to their jobs. So really, drawing on the analytics, what your performance KPI's are showing you is really important and to think about your organisational strategy. As I've said, the other thing was

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Adeela Warley: very much about ways of working. so it was about making space in your organisation and time for really open and honest discussion. because it isn't a yes no answer, it really is nuanced. And so creating the space to do that was really important. And we know that social media managers, they're kind of having to, they're on that, always on, culture. And so just please support those teams and be kind and understand that they've got an awful lot on their plate. And I think from our learning, we found that with a really clear definition of both what your charity's voice is and a definition of what each channel does for you, you can be confident, I think, that you can bring your audiences together for connection and to take action with you in the spaces that work best for you. So I think that's what we were learning, really, from listening to our community.

Piers Townley: That's fascinating stuff, Adila. I think this is the first time the spotlight has had to go onto a channel as well, isn't it? We're all fairly new to this. We're all learning at speed. It's the first time that for a variety of reasons, X has come under scrutiny and, teams and charities are having to, like, you know, decide whether they want to use it. I mean, as the Brain Tumour Charity. We're finding several of our, high profile celebrities, for example, they're just withdrawing themselves off. So that led us to then talk to our teams and get our teams together and say, well, what should we do with X and how should we do it? And again, it's a constant monitoring of it. But I know that other charities are actually leaving the platform altogether. The likes of Race Equality foundation and Colchester and Ipswich hospitals Charity. Are you surprised that charities are withdrawing from Exxon? Do you think this will gain momentum in the future?

Adeela Warley: I'm not surprised, because we've walked that journey as well. So, no, not surprised. I think people are rightly calling for greater accountability from social media companies, by better moderation and responsibility from the owners themselves. And I think since Elon Musk took over, Twitter and turned it into x, there have been rising concerns about the lack of investment in content moderation, how the algorithms are working to promote the worst aspects of humanity, about safeguarding the users on your platform and tackling misinformation. And Elon Musk's personal posts on the platform have really driven some very, very divisive things, and not just in the online space, but with quite devastating real world, consequences. One point that our community have made really boldly to us is that, X is not Twitter, that the platform has fundamentally declined and many of their supporters are voting with their feet as well. But what I would say is, I think, the glass half full in me is saying that these issues have helped to create a space for innovation to thrive and that, the disruption in the tech marketplace is creating new platforms, ah, that are emerging. And, this is giving audiences more options and a possibility of something else. And I think while none of us can, we've not got a crystal ball, we can't predict what will happen with social media. I think that I take heart that people power can help reclaim social media for the better. It can be a space where people come together to make, positive change in the world, so people can still influence the future of social media.

Tim Beynon: I think that's your point there. Around owners is a really interesting one, because these aren't, necessarily organisations that, are managed by a big board of directors or a big board of, trustees, making sure the decisions are, made, in a certain way. This is an organisation, next is an audition that can be fundamentally impacted by one man's tweets, whatever, I don't know if they're called tweets anymore, whatever. They're called one man's posts from one day to the next. And that's, as you say, that's exactly what we're seeing. but at the same time, divisive content and misinformation is not something that's unique to x, is it? Something does span platforms as a whole. So why do you think, is it, do you think, do you. We believe actually that it is because of those outside influences. Things like, Musk buying Twitter, and then also things like Musk aligning himself, and where he stands in the US election, for example, helping to generate some of that content. And therefore, x is beginning to stand in isolation to the others in terms of the amount and volume of this kind of divisive content.

Adeela Warley: I agree, I totally agree with what you said. I think that is the reason that's driving this in particular around that platform. But we know that all social medias have

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Adeela Warley: their downside, and that's why there's been a really positive move to bring in the, online safety bill, now an act, and we will see how that really does influence the regulation of, the platforms themselves. And the tech giants, now, the owners of those platforms in hm truth, are becoming more powerful, powerful than traditional editors of newspapers. So we do need to have individual responsibility as well as policies that govern the platforms themselves.

New social media channel checklist for charities

Tim Beynon: And you mentioned earlier on, as well, about the importance of protecting those social media teams. And there's people whose job it is, it's not an easy job to monitor what goes on across the multiple platforms that most charities are on these days. What would your advice be? Or how does Charity comms, how can Charity comms support Charity? To help those teams, to help those individuals, to do that on a day to day basis.

Adeela Warley: So we provide, a lot of, information and resources, whether that's best practise guides or templates, or the latest thinking through blogs. And all of that can be had on our, social media hub. So that's a brilliant place for people to start out. But we've recognised that this whole issue has, the charities need more support. And so we're creating a new social media channel checklist, and, we're going to be releasing that really soon, in the next couple of days. And what that's going to do is it's going to provide a structured way for charities to have that conversation. The questions they need to ask, the challenges that they need to make internally so they can go through the checklist. And, that will help them to tailor, their own social media decisions and strategy in the longer term. So I'd really encourage people to have a look at that. We've had a wonderful expert working with, us on it and I think it's going to be a really helpful resource, not just for our members, for the sector more widely.

Tim Beynon: I think that sounds fascinating. I think it'd be really interesting to see how teams can use that. I think some of the challenges facing comes to teams and social media teams is how they then potentially have those conversations with their senior leadership teams, just because they're seeing it much more out of the cold face on a day to day basis. Senior leadership team will be one step removed, perhaps so helping teams have those conversations with their senior leaders will be really important.

Piers Townley: And Adeela, charity comms mentions in the statement that they're, excuse me, ploughing their energies into wider social media strategy in new and exciting ways. Can you expand a little bit on this? And what are the things that be taking into account as part of this project, this ongoing project?

Adeela Warley: We have a really small comms team at Charity comms. Believe it or not, we're a tiny but mighty team. And so, like many small teams, we have to make strategic choices about where we invest our skills and our energy. and we're thinking a lot about how we can innovate, and this includes with our content and where that content is best placed to reach and inspire and engage our audience. And we found that LinkedIn has been a growing platform, for us and we want to invest more time here to actually build conversations and communities. And we feel that this just absolutely makes sense for us. So that's the shift that we're making at the moment.

Piers Townley: Excellent. That's interesting. We had this conversation offline, Tim and I, when, we launch the podcast and ongoing, when we're monitoring our, social media presence and working out, where do we place our efforts, it's a challenge and it's really interesting to then to keep on, to keep 1ft in front of the other when you are, looking at all these different.

Tim Beynon: Channels, just to interject. I'd agree completely that LinkedIn seems to be the place where, as a sector, we're having those conversations. So it seems to be the place where that kind of safe space, if you'd like for us to have, for the sector as a whole, to have.

Adeela Warley: Those kind of conversations, dare I say it, podcasts. We're on a podcast, and that is a brilliant place for really, thoughtful, conversation out of the kind of reactive space, but a place for reflection and exchange of ideas. And I saw a wonderful, roundup by, Madeleine Sugden, who's in our community as well. Freelancer of all the podcasts are out there. So, yeah, yay, podcasts.

Piers Townley: We'll take that. Onwards and upwards.

Testing new emerging platforms

Where do you stand on emerging platforms such as the likes of Blue sky and some further ones that are going to be in there in the future?

Adeela Warley: We are watching with great interest blue sky. Many of our members are already there and, we've been asked whether we're going to join. And again, it's a question of resource, isn't it? We will really keep monitoring it and if it looks like it's going to offer the sector and us a place, then we'll be there. But I think it's test and learn at the moment.

Piers Townley: Yeah, I think you can feel that, can't you? In other charities and other comms teams that we talk to or interact with, they're all keeping an eye on, what is emerging and where is the best use of,

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Piers Townley: as you say, often limited resources and smaller teams?

Adeela Warley: Yeah, I mean, two, these are small teams there, slightly larger charities, but we've had presentations and talks with RSPB and the National Trust and they have been experimenting. So RSPB have been using TikTok really effectively and they found that that has brought them more of the Gen Z generation. and the National Trust have been experimenting with threads as a place not for campaigning, not for push broadcast communications, but for engagement and fun, not to talk about scones. As you can imagine, they're really good examples of how charities are testing and learning and exploring the ecosystem of social media options available to them, but for good strategic reasons.

Piers Townley: Now we're seeing some of that at the Brain dream of Charity. The last six months has seen us, not me personally, a social media team. For me, it's largely witchcraft, but they've been exploring TikTok as well and we found a great deal of engagement, as you say, with, the younger audience to spread our campaigning, spread our work. But I can see it in the comm scene when I'm sitting next, I'm doing social media team. Is that very much that test and learn? It's like treading, just seeing what happens and then reporting back and obviously then reporting back to the wider Charity as a whole, especially SLTs and CEO's,

Adeela Warley: Internal comms is such an important part of the piece.

Tim Beynon: I've been enjoying the TikTok trends for the Gen Z, write the scripts for charities and, full of the kind of language that my kids talk and nothing to do. Just talking about blue sky, though. Do you think that possibly this might be the time for emerging smaller tech companies to get a bigger slice of the pie, as it were? Because is there perhaps a bit of a fear or a scepticism about the motives behind the tech giants, the xs and the metas of this world?

Adeela Warley: Yeah, definitely. And, you know, when you look back at when Twitter started, I think that was more of the ethos, wasn't it? It was much more progressive and community minded and it's obviously, things do change. So I think you've definitely got something there.

Other challenges charities are facing with social media

Tim Beynon: and just looking at the social media landscape in sort of broader terms, what are some of, sort of, some of the other challenges you're perhaps seeing or that you're, aware of in the Charity conference is helping charities with at the moment? Is there things like perhaps an over dependence on social media as a comms tool? Is the balance right amongst charity comms team in terms of how much weight they put on social media? What are some of those other sort of challenges you're seeing on?

Adeela Warley: Well, we've touched on one already, actually, which is about leadership. So the, Charity Digital skills report this year highlighted the need for trustees and senior teams to enrich their understanding of how digital works, because that is absolutely crucial in underpinning reputation management, managing risk for your organisation and also supporting your social media teams, understanding the challenges they face and the choices that they're having to make. So I think that is a recurring theme that we hear from art, from professional comms people. The second is being time poor. This is just such a beating drum at the moment that teams are incredibly stretched. and, you know, monitoring social media and testing and learning. Both things we've just talked about, they take time. And so I think permissioning teams to have that time and space to go to events, to do training, and, do networking, that time is well invested. It will really repay you if you invest in it. So those were two themes that I think, are broader digital social media than social media trends.

Tim Beynon: Do you think as well, that for some charities that social media can perhaps paint a bit of a misleading picture in regards to some engagement and support? I think the old chestnut likes do not necessarily lead to donations. I can and ask charities, perhaps putting too much, emphasis on social at the expense, maybe some of the more traditional media, some direct mail, or obviously that's much more expensive, but there's sort of more traditional forms of comms.

Adeela Warley: I think charities have always had to have a really diverse portfolio of tools and tactics, both online and offline. And one of the things from a comms professional perspective that Covid taught us is that we have to have the ability to rapidly, rapidly flex and we had to flex away from real world activity to online activity. And that pendulum is swinging back and you only have to look at things like challenge events. They're really on the up. So I think that flexibility, to respond to the external environment as well as

00:35:00

Adeela Warley: to technology sits at the heart of really effective communications. We definitely need to move away from vanity metrics, as you mentioned. And I think that the only way to do that is to have complete clarity about which channels you're using and why, which audiences you need to talk to and what you want them to do with you, and then be able to monitor the impact, of those channels in delivering those things for you. And so it's about setting measurable and meaningful KPI's, and ones that you can not just track, but you can actually use to change what you're doing. So they're actionable, tracking measures and I'll mention Charity comms's digital benchmark. So this is a tool that is run by us for a tech company, called Uprise up. And what it does is it allows charities to monitor, all their digital performance, KPI's, but not only their own performance, but to look at how they're doing within the sector. So, yeah, that's a really good tool, for helping charities to, you know, understand what's going on and make good choices.

Piers Townley: So great scientists and methods and tools that the chad skills in the wider world at the moment, obviously, we'd agree real when the podcast comes out entering the election.

Dealing with misinformation

So misinformation is going to be the buzzword, and it has been for a long, long time. We recently had Saskia Konenberg, from NCBO, came on the show and she said that charities should, quote, verify information, train their teams, deal with misinformation quickly and report misleading or fake contact, efficiently. So is this issue about training or retraining social teams to be more aware of misinformation out there?

Adeela Warley: Well, really great advice from Saskia, who happens to be a trustee at charity comms. So definitely follow that advice. And I do think that training and the ability to be responsive is very much part of the answer here. But I think it's also really important to be aware of the best practise and insights when it comes to how you deal with misinformation. So we work quite regularly with frameworks UK. and they have got, they've talked a lot to our communities about the dangers of myth busting. It can backfire things that you're actually trying to get rid of. By talking and leading your communications on those facts and figures, you can actually reinforce them and embed even more. So, do take a look at frameworks UK. They've got some fantastic guidelines about the top, top tips of how to if you are going to do myth busting, how to avoid the traps. And then the other thing I'd say is we have a social media policy template which is really, really helpful and I think the Charity commission have been happy to promote it as well to the sector. and just bookmark our social media to help, because that's where you can get the latest news and opinions, on coping with all of these challenges.

Piers Townley: Because I think especially, say if you were a new member to a Charity and a new member to a social team, it would be, seems quite daunting, wouldn't it? You have this skillset in terms of you're able to do social content and, you know, all the analytics and stuff. But actually then to be the voice of a charity on a social media platform must be quite a terrifying experience. Perhaps, you know, when you're first getting into it. So a good signpost there as well. Definitely want to fan the flames, all the misinformation. That's why, as you say, with the myth busting, it can backfire, can't it?

Adeela Warley: It can backfire and I think, you know, it can be a lonely job. So my message is just don't try and go it alone. Reach out and use people like charity comms and connect with your peers because they can share their experiences and you can learn from each other. That's what it can be about.

Piers Townley: Yeah, that's a good bit of advice because obviously our social team for our charities sit very close to the PR team. So the comms, so we get it. There's a lot of internal work that they have to do to then justify and explain what they do to SLT or to trustees or to extended teams. So yeah, there's a bit of a minefield I think, at times for them it is.

Adeela Warley: And I think. So we support not just external communications teams, but internal communications communications team is one of the strongest special interest group that we have and we see the charities where internal comms works really closely alongside external comms team, that is the key to success. I'll tell you. A charity that does it so brilliantly is the RNLI. they just are so aligned and internal comms teams, they set the tone for the internal culture and they can make sure that

00:40:00

Adeela Warley: all those internal stakeholders, your volunteers, your staff, your donors, all of those people are on the same page. Not just that they're on the inside track, that they know what you're going to say almost before you said it.

Charity Comms Inspiring Communicator Awards

Piers Townley: Moving away from that minefield then for a moment, Adila, we'd like to ask you about the, charity comms inspiring communicator awards. Tell us a little bit more about them because I think the deadline is just closed by the time the show goes out. But what am I there about?

Adeela Warley: So, it's one of the happiest times of my year. I absolutely love the inspiring communicators awards. And really this is about celebrating, those whose services to charity communications really go above and beyond and it highlights people who particularly demonstrate spirit and insight and skill, and above all are, ah, able to inspire others to get involved. So yeah, the nominations are open until the 21 October. so yeah, that's what we're doing with the Charity comms awards this year.

Tim Beynon: It's exciting stuff and as I remember rightly from look at the website, Vicky Beavers, who was on the show, a few episodes back from the sleep Charity, I think she won your strategic leader of the year awards last year. The incredible work she does with the sneak charity, she is fantastic. And I believe she's on the judging panel this time around as well. Tell us a little bit about the panel. Who's going to be judging the winners?

Adeela Warley: Well, we have lots of categories, so we have quite a few judges, so I don't think you'll want me to read them all off. But what I will tell you is that we've got the panel is made up of nine of last year's winners from those categories and then six of Charity comms own trusted. So that's the judging panel.

Tim Beynon: Fantastic. And Wednesday, where are the awards themselves?

Adeela Warley: Well, we are again, we're innovating. So we will be doing an online screening event using LinkedIn and that is going to be on the 4 December from eleven till 1215. And there'll be more information about that on our website. And this year we're really keen to tell the stories, behind the scenes of why our, winners have won in their category, what skills, what lessons they can share with the sector. so we're really delighted to be investing more in that backstage storytelling.

Piers Townley: Stories are key. Aren't they always?

Adeela Warley: Yes.

Piers Townley: Well, thank you so much Adida, for joining us and you've given us so much future thought on so many things, not let alone, you know, just x as a platform and all the very best for the awards. We'll be watching and hopefully speaking to some of the US in due course. But thank you so much for your time.

Adeela Warley: Thank you so much Tim and piers. I've really enjoyed it.

Piers Townley: In each episode of the Charity show we want to celebrate our sector superstars, those incredible people working, volunteering and fundraising across our sector. And you can nominate your deserving colleagues, volunteers or fundraisers, just email us and@thecharityshowpodmail.com or get in touch through the links in the show notes. You can even send us a voice message that we can play out in the next episode. Who's your superstar this week, Ted?

Cheeky charity calendar for 2025

Tim Beynon: Okay, my superstar this week is a lady called Michelle Oldfield. and this is a story about a calendar and it's not, it's not something new. We've all heard of these kind of charity calendars in the past, but this is a, ah, community sports group which is posed for a Charity calendar that captures the beauty of an area but with a playful twist. And I bet you can probably guess what the playful twist is. Cricketers, net boarders and cyclists across the Vale of Belvoir in the East Midlands all feature in this calendar girls style. Belvoir unveiled nude calendar for 2025. Organiser Michelle Oldfield from Crockwell Bishop, which itself is a fantastic place name. Love that. In Nottinghamshire, said she wanted to raise awareness after being treated for breast cancer and she rallied her community to take part in a photo shoot for the cheeky 2025 calendar. The months feature more than 30 people and capture the stunning beauty of the veil of Belvoir and the stunning beauty of other aspects as well, I imagine. and has so far raised 2000 pounds for breast cancer now and prostate Cancer UK. So well done Michelle. I think that's a great job. Yeah, amazing. keep an eye out for that calendar. What about you Piers, who's your superstar?

Piers Townley: I just think if my fundraising team suggests such a thing like that, I will definitely be politely declining that one. What month would you choose, mister September also. Never going to happen. No, never going to happen.

Snow dog sculptures to raise money for Derbyshire hospice

I'm not sure why I've gravitated to animal news and stories, this podcast, but one caught my eye isn't a person as such, but a collection, and it's a collection of dogs. And I love the impact the snowman stories have around this time of year, around Christmas time of year, and the impact those stories had when my kids were growing up around Christmas. And inspired by them are the snow dog sculptures, which is fundraising for the Blythe house hospice. The Blythe house hospice mouthful there in Derbyshire.

00:45:00

And it's going to feature twelve large snow dog sculptures from artists across the UK, and they're going to be on display around the town of Buxton and they're going to be auctioned off in December. Each one's going to have a reserved price of 1500 pounds, but some of the designs and some of the art on them are just absolutely beautiful and obviously based on that lovely, lovely story around that time of year. And Sophie Wheeldon, the senior community fundraiser of Blythe House Hospice, said, I think they are absolutely incredible. They're so unique and it's a once in a lifetime opportunity for us as a hospice and for Buxton as a town to get something like this. It is beautiful to see them here in all their glory, and they look brilliant, Tim. And they're inspired from such a christmasy, wonderful story and to support the simply incredible work the hospice do in the area. And indeed, you know, a big shout out to all the hospices around the UK and all they do for so many people. I think in both roles that we have at the charities, we see so much great work being done by hospices and sometimes they are overlooked. but they are an incredible function, but everyone should get behind.

Tim Beynon: I think there's a brilliant fundraiser. I've seen them before. I know in Bristol they had, Wallace and gromit statues, around the city for a while and they were all auctioned off, raised a huge amount of money for Charity because they not only, you know, give an artist an opportunity to show their skill, they also brighten up the local community. They give people something to visit, to look at and to try and find around the whole of Bristol. Maybe there was a hunt you could go on around Bristol to find all the Wallace and grommets, and at the end of the day, they're auctioned off and they raise a huge amount of money for Charity. So, yeah, more of that I think.

Piers Townley: We know all about, isn't it? wouldn't.

Tim Beynon: Yeah, absolutely.

Coming up

Piers Townley: So that's it for episode twelve. Huge thanks to a dealer for really giving us something to consider professionally and personally in terms of whether stay on X War turn to something new. And we've got some other great guests coming up on the next few episodes, too.

Tim Beynon: Absolutely. We certainly have, huh? Coming up next time, we're going to be talking about challenge events with Tracy Ann Breeze and finding out why charities need to be doing more of them. And in November, we'll also be discussing philanthropy and major donors. And we'll be welcoming a very special celebrity guest onto the show to talk about his penchant for extreme challenges. So find out who he is in a few episodes of time.

Piers Townley: Sounds, intriguing. And don't forget, you can be part of the show, too. Just send us your voice messages. We'll get in touch through any of the links in the show notes to share your stories and tell us what you'd like us to cover.

Tim Beynon: Don't forget, we want to know who your superstar fundraisers, volunteers, or colleagues are, too. So head to the show notes and share their brilliance with the rest of us.

Piers Townley: And in the meantime, please follow or subscribe to us on your usual podcast platform and leave us a review, both of which will help others to find the show.

Tim Beynon: So that's it for this episode. Thank you for listening. Take care and we'll see you soon.

Adeela Warley: It.

00:47:48

Tuesday, October 15, 2024

Charity comedy, ParkRun anniversary and missing GiftAid - featuring comedian Garrett Millerick

In the latest episode of The Charity Show, we kick things off with a fascinating interview with comedian and writer Garrett Millerick. Garrett shares insights into his BBC Radio 4 sitcom Do Gooders, which takes a light-hearted but insightful look at the third sector. His show brings to life the unique challenges faced by charity workers, highlighting the realities of endless admin, tough decisions, and the occasional bizarre situation – all with a humorous twist.


Next, we explore the financial side of the charity world and uncover a surprising statistic: £560 million in unclaimed Gift Aid each year. We discuss why so much money is left on the table and how simplifying the donation process could unlock these funds to help charities make an even bigger impact.

The episode also touches on the phenomenal growth of Parkrun over the last 20 years. With 10 million registered runners and 900,000 volunteers across 23 countries, Parkrun has become a global movement. It's more than just running; it’s about building communities, promoting wellness, and even supporting rehabilitation through its work in prisons and young offenders' institutes.

We then pay tribute to Neil Dickson from The Brain Tumour Charity, who is retiring after 27 years of tireless work. His dedication to advancing research and providing support has made a lasting impact, and his legacy is celebrated by many, including celebrities and supporters who have been touched by his efforts.

Finally, we wrap up with a touching story from the RNLI, showcasing a beneficiary’s lifetime of gratitude for the charity’s life-saving work. It’s a reminder of how charities not only provide immediate assistance but also create long-term, life-changing relationships.

With insightful discussions, inspiring stories, and a touch of humour, this episode offers a great mix for anyone interested in the charity sector. Tune in for fresh perspectives and engaging conversations!

Sunday, October 13, 2024

Episode 11- Full Transcript

 


LINKS TO ALL PODCAST PLATFORMS

Welcome to the show

Piers Townley: Hello and, welcome to the Charity show, the podcast for Charity insiders by Charity insiders. Please rate, follow, or subscribe to us on your usual podcast platform. And here's what's coming up in episode eleven.

Tim Beynon: park run in numbers for you here, piers. Here we go. 10 million registered park runners, 900,000 volunteers, 2500 park run locations, 25 park runs in prisons and young offenders institutes. That's amazing. and 23 countries where park crime takes place. And that is growth on an incredible scale over 20 years.

Garrett Millerick: I had never really, and this might sound stupid to you, and indeed a lot of your listeners, but I'd never really considered Charity as being an industry before. And then you think about it for more than 10 seconds, you go, oh, of course it is like, of course it is. Everything is, everything has a kind of layer of administration and whatnot, and there's all these cogs behind what you're seeing. so it occurred to me that that would be a very interesting world to set, a sitcom in.

Piers Townley: I found this really shocking figure that the charities Aid foundation have estimated that over 560 million pounds a year goes unclaimed to people not claiming gift aid on their donations. And the research goes on to say that 26%, that's a quarter of people who donate to charities or do use the gift, do not use gift Aid whatsoever.

Smiley Charity Film Awards and a legacy to remember

Hello and welcome to episode eleven of the Charity show, with me, Piers Townley, pr manager at the Brain Tumour Charity.

Tim Beynon: And me, Tim Boynan, head of marketing engagement at the firefighters Charity.

Piers Townley: So what have you been up to, Tim, the last couple of weeks?

Tim Beynon: Yeah, lots going on. Busiest ever, both at home. All the stuff is going on at home, as it always does, and then at work as well. And lots cannot work. We've entered, and I know we've talked about it on the show before, the Smiley Charity Film Awards, for 2025. So we put our application in this week, for a film we created to support the launch of our suicide, crisis line last November. So a really powerful film, which, the marketing engagement team created. and it could be interesting to see how we get on. We're in the mix with charities of a similar size to ours, but I imagine that some of those charities probably spend quite a lot of money on the production side of things when it comes to their films. We, in stark contrast, created a film pretty much at, ah, zero cost. It was, a really powerful film, just using images and voices to talk about the impact of suicide on firefighting families. So fingers crossed, we'll see how that goes, other things going on, just something I'm really keen to remind everybody. We talked about it last week as well. Really want to encourage people to send us their voice messages. So we've got this amazing new tool. Really, really, simple one click, record your 20, 30 seconds of promotion, whatever it is you want to tell us about what you're doing, what the Charity or Charity is working on, the campaigns you're running, the people who work for you, your fundraisers, your volunteers, people who've done amazing things. send us a message, tell us about them and we'll play it out on the show. So really, really simple. All the links are in the show notes for you. Crack on and do that and look forward to hearing from you. But what about you, Piers? What's your last couple of weeks been like?

Piers Townley: Well, like yourself, Tim, very, very busy. But that's fantastic news about the Smiley Film awards. I was lucky enough to go to that early on this year where our, ah, celebrity support, Amy Nuttall performed and some other charities films, ah, are just absolutely incredible. So all the best, no doubt as the show will follow the process as it goes towards the actual award ceremony next March. The last, last couple of weeks we've been building up to quite a momentous time for us actually. So after 27 years at the Charity that he set up with his own wife after they lost their daughter, Samantha Dixon, our trustee and our chair of trustees, Neil Dixon is retiring. So 27 years in the game helped build us to be the biggest Brain Tumour Charity, one of the biggest Brain Tumour charities in the world. And he's going to stay on, he's going to stay on as the research committee and as head of the Samantha Dixon Fund, which is a supporter group that's affiliated with the charities, we have hundreds of these supporter groups, so he's going to carry on doing that work, but quite a momentous time for him. And we've had the likes of Dawn French and Tom Daley and Lord Spencer and Nikki Chapman all sending video messages of support and see them. Some of the celebrities that were quite closely associated and continue to be closely associated with the Charity of lent their support to, this news. So a massive shout out to Neil. 27 years, fantastic Charity that he's built up over the years.

Tim Beynon: Again, incredible, incredible legacy he's leaving behind him, both him m and for his daughter as well. Amazing legacy.

Piers Townley: Exactly. And for the landscape that he's left behind in a much, much better, much driven, research driven space than it was, when they first launched it. And then just quickly, another one of our celebrity supporters for the Brain Tumour Charity, it's the author, Sophie Kinsella, the author of the books, a shopaholic range of books and the Burnout. She's got a new

00:05:00

Piers Townley: novella based on her own, Brain Tumour diagnosis that she revealed this year. And she's low, she shows, she's launched that, there's a series of book tours and loads and loads of media work and obviously we've supported her and her family and she's reciprocated and so we're just championing that. That's been the two focus of the last couple of weeks. A lot of comms, a lot of internal comms and a lot of external, comms there with Sophie. So busy, busy.

Tim Beynon: Is that, is that a fiction fiction book or a non fiction?

Piers Townley: It is, yes, it's a non fiction non fiction novella. So it's only a very small book. but, it's autobiographical. It's based on Sophie's own diagnosis, and the subsequent treatment. So that's out. Yes, last week or so as we go to live with the podcast.

Garrett Millerick: Excellent.

Tim Beynon: We'll stick a link to that in the show notes as well, I think.

Garrett Millerick: Sounds fantastic.

What is the best sitcom?

Tim Beynon: Of course, we both had our ears to the radio this week as we listen back to the brilliant BBC radio four third sector comedy do Gooders, written by our guest today, comedian and writer, Garrett Millerich. Have you ever contemplated a career in comedy? And if so, anyhow, I do remember.

Piers Townley: As we spoke with Garrett, I can't think of anything more terrifying, Tim, than standing on a stage and, you know, waiting for the audience to. Waiting for us to entertain them, waiting for them to make them smile would be the most gut wrenching experience I could imagine. What about you?

Tim Beynon: No. God, mate. Jesus. You know, it's as far away from my compass as I could possibly, possibly be, Stan. Trying to make people laugh. Absolutely no. Absolutely not. I think you probably, you know, I'm a gay. As a student, comedy, comedy gigs where the person's bombed on stage and there's nothing more awkward as that. Even as a, as somebody watching you feel the pay feel for them, it's just awful.

Garrett Millerick: So, yeah, I.

Tim Beynon: Too scared. Too scared to do that.

Piers Townley: It's quite a strange response, really. I mean, we both work in comms department, so maybe you would think from an outsider's point of view, I should bed and butter that kind of presenting. But no, no, not when there's so much expectation.

Tim Beynon: No, absolutely not. This is the fantastic. We're talking to. Garrett at night is sitcom though, and it is a cracking good. listen and we'll put again. I'll put the links in the show notes for people to go and listen to it. But what about sitcom fears? Have you got a favourite over the years? Something that you cherished?

Piers Townley: Do you know what? There's almost too many to mention. I'm massive fans, of things like spaced and peep show continue to be. Continue to rewatch some of those just for the way they're edited and they're formatted kind of ahead of their time in the way that. In the way they were put together. Obviously the incredible talent on there. Huge fan of mark heap from spaced. that came on now because we're watching. We'll re watching lots of Friday night dinners, which is just a fantastic sitcom. Mark Heap is also in that as well. And my kids are. We know we're watching loads of reruns of that as well. Got a soft spot for things like calling from accounts. Love that bit of Aussie sitcom. And Alma's not normal, come back again, which is just fantastic as well. So there's so, so much out there and I think it's so idiosyncratic to. Different people have different things that they get from them. It's interesting that Garrett. I'll actually speak about what makes a good script, what makes a good sitcom, what makes the characters come alive. So those elements kind of continue through, but so many different ones out there. What about yourself?

Tim Beynon: Oh God. I'm with you on a lot of that. I loved space. Space was brilliant. And I did try to show that to, to my kids. They didn't quite get it. It's a little bit our era and not theirs. So it's kind of a little bit dated for them, even though it was ahead of its time. Definitely. It's a cracking good sitcom that was. And Mark heap. Yeah, what a legend he is. And I think that shows you the importance in comedy. Not that I know much about comedy, but in terms of sitcoms, from a personal perspective, it's about the characters, isn't it? Creating really strong characters. And Jim in Friday Night dinner is just hilarious. It's all to do with Marquee's performance, but it's also great writing as well. So I'm a huge fan of Well written, well acted sitcoms. You know, I think probably personally, for me, Blackano is right up there as an all time favourite because every series is an absolute cracker.

Piers Townley: Okay.

News: The price of stamps and missing GiftAid

Let's take a look at some third sector news. What's caught your eye this week, Tim?

Tim Beynon: Okay, so, yeah, this is the classic, this is a classic thing that brits moan about the price of stamps. There's a few things in this world that brits like to moan about, and the weather and the price of stamps seems to be something that is always in the news and people are always talking about. But the price of stamps has gone up again by 30 p. Did you know the cost of a first glass stamp piece?

Piers Townley: I just know there's a lot.

Tim Beynon: Take a guess. How much do you think a first class stamp is? One pound 65. So you're not far off. But anyway, it's gone up by 30 p. and it's quite interesting, I saw this article about the impact of that, and it is impacting charities, especially in, regards to Charity Christmas cards. So this article, the I sprottic, says that the royal band has been accused of being short sighted

00:10:00

Tim Beynon: and risking a drop in the number of Charity Christmas cards sent this year as it increases stamp prices. And this does actually have a significant, could have a significant knock on effect for charities. So in this article, Christine Ansel, the chief executive of the Charity card specialist cards for good causes, she said, we already know that the general public's funds are vastly reduced due to the cost of living crisis, something we've talked about on the show before. So making it more difficult to send greetings cards quickly and affordably will mean shoppers are less likely to spend with us, ah, this Christmas. So people buying less Christmas cards, from charities, which then has a knock on impact in terms of their fundraising. So there you go. The price of stamps, and the impact on charities could be significant.

Parkrun turns 20

That caught my eye, and only one that I had to talk about, because I'm a massive fan, is park run. Parkrun turning 20. And what an amazing charity, park, run is, it does, park run in numbers for you here, piers. Here we go. 10 million registered park runners, 900,000 volunteers, 2500 park run locations, 25 park runs in prisons and young offenders institutes. That's amazing. and 23 countries where parkcom takes place, and that is growth on, an incredible scale over 20 years. And it overcame the pandemic, all the issues that came with that. and so I think just to have reached, parkrun reach 20 is fantastic. I was there last Saturday at my local park run, and they had cake took with a big 20th anniversary, 20th birthday cake there as well. So fantastic, big fan of parkrun. How about you, piers? I know you've done parkrun before.

Piers Townley: I've seen you. Yes, I'm definitely a park run newbie. I've yet to get my 50 run t shirt yet, but I've, we do the same part when just on the road. It's been a few months since I've gone back and done it again. And I only started doing about a year ago and was actually bowled away by how inclusive and supportive it was. Everyone was there, it was almost like a little cult, but in a really, really good way. Everyone was so, so supportive of so many people. So as a model, as a thing, I think it's just exceptional. Such a good thing to be part of.

Tim Beynon: Fantastic. So, happy birthday, park run. What about you, piers? What news has caught your eye?

Piers Townley: Well, this is something that crops up again and again. Whether you're taking a back to the Charity shop, whether you're paying online, when you're signing up to a fundraiser for your chosen Charity. The idea of gift aid. And I found this really shocking figure that the charities Aid foundation, which had just carried out a 5000, polling research recently, and they've estimated that over 560 million pounds a year goes unclaimed through people not claiming gift aid on their donations. And the research goes on to say that 26%, that's a quarter of people who donate to charities or do use the gift, do not use gift aid whatsoever. I just think that's an astounding figure. And some of the reasons that the research thought were there was too much effort, didn't always remember placing a.

Tim Beynon: Tick in a box to whichever.

Piers Townley: Exactly, exactly. So it's like, well, what else information do places and institutions gather from that? What is it that's making it really difficult for people to give gift aid? Because as you say, I've always found it really, really straightforward. But maybe there is a barrier there. other, barriers were, it's not always an option, and quite an interesting one, that people said it's not possible when they donated with cash. So I guess that's an element. I mean, cash donations are still very, very big. We're not all contactless at the moment, but I just thought that 26% that don't use it as a regular thing, which is just a phenomenal amount. And then when you're talking about 560 million, that's a loss of untouched funds there for so many charities.

Tim Beynon: It's a really interesting one. I think it's a challenge not only with cash, but also with digital, because I think giving digitally and a lot of the tap to donate, points, is a challenge there with collecting gift data as well, because that is such a quick transaction that people perhaps don't want to stop and take the time to maybe fill in the extra deliver biz. Have to fit in in terms of name, address and ticking the box, say they're a UK taxpayer and stuff. Maybe that is a barrier time. People just want to tap into make and go. so I can see that. But that's a shocking statistic because that money could be doing so much good. That's the thing.

Piers Townley: It is, isn't it? If you think about that, that's a quarter. So a quarter of all your fundraisers for your specific charity may not be actually taking advantage of this tax relief for charitable funds, which is a lot of money if you start crunching the numbers set in the world of a fictional mid level Alzheimer's Charity, BBC Radio four sitcom do gooders shines a comedic spotlight on the third sector and those who work in it, the likes of Frank Skinner and Faye Ripley. It intertwines the complexities of office politics and admin with the hit and miss reality of modern day fundraising and events. From the night walk that ends up being mistaken for an act of eco terrorism to cheating in the marathon and avoiding daily pr disasters, the Alzheimer's alliance staff find themselves constantly battling to be heard above the noise of those at the top of the Charity league table. It's a brilliantly written and performed series. Duke Gooders is the brainchild

00:15:00

Piers Townley: of comedian Garrett Millerich, who also stars as the rather hapless Clive. Garrett joined us recently to discuss the show and what inspired him to write a comedy about Charity.

Garrett Millerick: Do Gooders, the third sector and comedy

So, hi, Garrett, and, welcome to the Charity show podcast. So you've picked up so many plaudits for the likes of your show, Sunflower Smile, fringe, fringe shows, and for the Chortle awards. Talk us through how you ended up doing this. Very unusual and was looking like a very successful career.

Garrett Millerick: hi guys. Thanks very much for having me on. so I ended up doing this entirely by accident. I originally wanted to be a theatre director. and I sort of accidentally fell into doing stand up comedy about twelve years ago. So I've now been doing it for so long, I struggled to remember exactly why.

Piers Townley: Can you remember your very first gig?

Garrett Millerick: well, I did some sketch comedy and things before, and I performed as, I did some character stuff before I started doing straight stand up. I do. My first stand up gig was in February of 2012 and I do remember it, but, I had done various other bits and pieces of performance before then, so I don't have a kind of, I don't have a particularly good origin gig story.

Piers Townley: That's what. It's one of the origin stories these days.

Garrett Millerick: Yeah, absolutely.

Piers Townley: So, Garrett, when do gooders first aired? In both our charities, there was a real. Wow. There's a show about the third sector, never really been done before. So why and when did you have the idea of setting the series in a charity?

Garrett Millerick: So, when I first moved to London, in around 2007, I was living with a friend of mine, from university, and he was working, for a charity. And I didn't know anyone in London at the time, so I'd hang out with him and his colleagues. and as you are both, and presumably a lot of your listeners are aware, Charity people tend to socialise with other Charity people quite a lot after work and whatnot. so I go down drinking with them in London Bridge, and one evening, fairly sort of early on, I was listening to two people having a pitched argument about cancer, research. I had never heard of that expressed before, obviously, as a civilian. And I was. So I sort of interjected, was like, what on earth do you mean? And they were like, oh, they just hover up all the money and they're, you know, they're the biggest, shiniest boys on the block. And, I was like, oh, that's fascinating. And then they were sort of talking me through the general sort of pecking order that you have in the, in the third sector, that there is a huge thing. And, yeah, one guy was like, oh, you know, can't stand lifeboats. And I thought, oh, this is an interesting world. And it's a world that had never really, occurred to me before, because most people's, experience with charities is kind of front facing. You see people stopping on the street and asking for your, direct debit details, or people with collection tins or poppy day, red nose day, that kind of thing are now social media campaigns. People say, I'm doing this because of x, y or z. So that's kind of what my experience of charity up to that point had been. And I had never really, and this might sound stupid to you, and indeed a, lot of your listeners, but I never really considered Charity as being an industry before. And then you think about it for more than 10 seconds, you go, oh, of course it is. Like, of course it is. Everything is, everything has a kind of layer of administration and whatnot, and there's all these cogs behind what you're seeing. so it occurred to me that that would be a very interesting world to set a, ah, sitcom in. And I'd always wanted to write a, I'd always want to write an ensemble sitcom piece. And I was, I worked up a number of ideas of things to do. I wrote a pitch about, a group of traffic wardens, and that was kind of based on the idea of what it's, what it's like to have the world's worst job. You know, that you go to work in the morning and you have to earn a living, but it's something everybody hates. whereas charity is something that is incredibly ubiquitous. And the thing I found interesting about it is you're doing something that's demonstrably good. You're changing the world, you're improving people's lives, you're improving the situation. But in that world, you still have all of the attendant stresses and strains and competition and personalities that everybody has, at, ah, work because it's a job. so that was kind of the root of, okay, we look at a group of people who are doing something that's good and worthy and improving the world, but they're still coming across all of the associated stress and pressure that you get, with the job and with a workplace environment. the original strap line for the pitch when I was pitching it to companies, Washington, if you want to save the world, there will be admin.

Piers Townley: We talk about that a lot, Tim. There is still lots of admin, no matter m, how many worthy the cause or how passionate you are. Yet as the admin.

Garrett Millerick: Yeah, 100%.

Piers Townley: And

00:20:00

Piers Townley: the layers of it.

Tim Beynon: Absolutely right. But I think it's fascinating. You touched on there people's perceptions of the third sector. If you don't work in charities, it's something that, yeah, perhaps we're a step back from that, but occasionally it does hit you. I remember once talking to somebody about what I did and their first question was to me was, do you get paid? They assumed that everyone who works for a charity is a volunteer and does it for free. So it was news to this guy that actually I had a paid job at a Charity.

Garrett Millerick: Yeah. And you get those people. There are those frequent news stories criticising how much people get paid. there was one a few years ago, it was a fairly big charity, and they were criticising that the CEO was on a six figure salary. And you go, well, yeah, of course, because it's a multinational corporation, essentially. And it requires a skillset to run an organisation of that size. That skill set has a market value and by the way, what that person being paid is well below what the average market value of that skill set is. But it has to be enough to attract professional people who are going to do a professional. Like, it's a difficult. It's a difficult job. You're handling huge amounts of money and projects and whatnot. And that. That criticism that people have of Charity is wild. It's absolutely insane.

Tim Beynon: It is. And it's usually the chief execs to get the brunt of it as soon as chief exec salaries are published or, you know, that's. Everyone thinks, oh, how can they pay them that much? I'm m donating. I'm not donating towards the chief executive. Donating towards whatever. So yeah, they really do.

Garrett Millerick: And that idea that, you know, if you're putting money for that, it's like, I don't want it wasted on this, that and the other thing. And you go, well, this, that and the other thing is how the money effectively gets to where it needs to go. so yeah, I find that the relationship the public have with Charity as well is an interesting kind of base for comedy. And also it never been, as you said, like it never been done before. So it's quite like everything's been done, but that hadn't.

Piers Townley: So I'll have some of that.

Garrett Millerick: Yeah, yeah, yeah, definitely.

Tim Beynon: So it was. We really enjoyed listening to it and definitely a few scenes and a few episodes that sort of certainly stuck with me. Did you have a favourite of all the ones you wrote and that you were a part of?

Garrett Millerick: yeah, the marathon was my favourite one. So that was. I'd sort of planned of kind of rough arc for the series that it was gonna start with this, This inciting incident of Clive, my character, saying that he was gonna do the marathon and then just kind of breadcrumb that in. Throughout the series. But then the final episode, I was like, right, I actually have to do the marathon. like my. I myself had to write an episode about the marathon and one of the challenges is doing that on radio. This is a difficult thing to do. but yeah, I had to sort of investigate and think about quite a lot how one might cheat at a marathon. And, Which is very difficult, very difficult to do. and people have done it, you know. Thank you.

Tim Beynon: Elite athletes have done it. Elite athletes have jumped in cars and.

Garrett Millerick: Got on the tube buses and whatnot. Yeah, absolutely. so to work out and then work out how to, how to thwart that and stuff. So it was kind of a fun, fast, plot to do, and I'd left it to last, so I left, wrote everything and then I was like, right, episode six. And I wanted to end the series on a bang. So I put myself under quite a lot of pressure for that episode and I was very pleased with how it turned out.

Tim Beynon: On a personal level, I really enjoyed, the walk. The walk, the challenge walk because I think it made me laugh because I think there's such a fine line between success and disaster with challenge events. Yeah. And I think. And I love the, whole idea of walking in the dark with tiki torches and it going terribly.

Piers Townley: Sending on the farmers.

Garrett Millerick: Yeah, well, I wouldn't. I wouldn't like to name which charity's website. I nicked that off. But you're doing research for things. You go on that, you know, I follow, together what I m say now. So I get blocked by any of them, but I follow loads of Charity Instagram accounts, Twitter accounts, whatnot, and read an awful lot of, charity websites and stuff. I saw a night walk on there and immediately thought, yeah, I'm gonna use that.

Tim Beynon: Yeah. Tell us a little bit about how you got all the cast on board. We were, you know, aggressively got some fantastic names there, some very well known names, and they really bring the characters to life. How did you get them on board and how did that all go?

Garrett Millerick: Well, I can't take credit for that. As I only wrote it, I didn't produce it. So the, producer cast it. so I had ideas. There are certain things, like, I've known r here for years and I know anya quite well and I've known Frank. so I had kind of ideas of who I wanted in my head, but in terms of the execution of that, I said to a producer, I'd like these people. And he did an incredibly good job of putting the thing together and I was very much shielded from any of the stresses and strains of that in my job. So I just had to go away and write the thing. And I got various excellent emails coming back saying, oh, they've read it and they like it and they're going to do it. And I was like, great.

Tim Beynon: Did you have Frank Skinner in mind when you wrote Ken?

00:25:00

Tim Beynon: Was that voice always in the back of your head?

Garrett Millerick: Yeah, like fairly, fairly early on.

Garrett Millerick: fairly early on. But I've been, like, most people have been a fan of Frank's for years and I met him a few years ago and, yeah, that was definitely somebody I really, really wanted. And he's phenomenal in it. Yeah, it was kind of funny because the character, I'd written that character and I was trying to work out what the structure of the team was and whatever. Having a legacy guy in the middle of the events team doesn't necessarily make any sense, but there are a couple of lines about why that happened. but when I was researching it, ah, there was one guy who worked in legacy donations who somebody put me in touch with and I'd already kind of sketched out the character and then he sort of said, yeah, I appreciate what you're doing, but I really don't want to talk to you. And I was like, that's perfect. Absolutely ideal. Thank you very much.

Tim Beynon: Nailed it.

Piers Townley: It couldn't have been anyone else than the final, though, could it?

Tim Beynon: He's perfect for it.

Garrett Millerick: He's fantastic. Yeah.

Piers Townley: I just wanted to ask you a little bit about, about feedback. And I think this goes back to your live shows as well because I can't think of anything more terrifying than getting up on stage and crossing fingers of what you say is going to go down well without someone going, you shit, get off the stage. Were you nervous? I mean, are you naturally thick skinned anyway, or is that something you've had to learn? And then in particular with do gooders, were you kind of nervous that you might have tread on a few toes?

Garrett Millerick: I was. I mean, with do good as not especially because I think it was quite, you know, I don't know anyone who's been particularly. Who's been upset by it. I might be. I might be wrong there, but, I mean, it was a very sort of affectionate look at, ah, the world. And it's, you know, it's a character sitcom set in a. In a particular world. So I was very kind of clear with myself when I was kicking off writing it that I didn't want to mock the act of Charity. so people giving or fundraising, in any way, or really to mock anyone being ill. What, I wanted to look at was the administration side of it and the frustrations, that thing. I mean, choosing, initially, there was a draught where I made up a disease, and that was okay, but it didn't really work. And the reason it had to be something like Alzheimer's is it's kind of. I'm not offending anyone here, but it's sort of mid tier in terms of the public's perception of things. So in that kind of running order that people have in their Brain. There are real kind of Premier League your live eight or something like that. That's really kind of the top one. And then there's very fashionable ones which change whatever, obviously als motor neurons very big when the ice bucket challenge was coming around. That's kind of a movable feast. But things like, Alzheimer's and Parkinson's and disease, they're very serious diseases that the public are aware of, like very aware of. There's a lot of recognition around that. but it's not quite bobbing geldof at that level. So it was kind of a deliberate choice to pitch it there and I had known people who were working in that space, so I chose that. and there aren't really. I mean, there are a handful of kind of gallows humour jokes, I suppose, which I think would be relatively honest for people working in that situation. but yeah, it was quite sort of clear where I was getting the comedy from. M and the generational, relationships between the characters and that it was a quite. It was a sort of affectionate look at this space. I wasn't going in being like, hey, you know, I'm trying to kick the legs out from under anything or criticise people or go particularly hard at anything. It was supposed to be kind of accessible and warm. So I And I hope it is that. I hope it is that. And I haven't had any, any pushback, but I wasn't expecting a huge amount of pushback given that.

Tim Beynon: Did you speak Garrett to any of the actual, any of the real world Alzheimer's charities?

Garrett Millerick: not together. I spoke to people who work for Alzheimer's charities. Yeah, I spoke to fundraisers and researchers. so, yeah, I did, in the research of it, talk to a lot of people who works in Charity. I've got a lot of friends who work in Charity and I was in a relationship with someone for a very long time who, worked in charity fundraising events. So in terms of research, I was very lucky in having access to those people. And people, being very open. People were very open to talking to me when I said what I was doing and I was quite clear about, you know, what I just said then about where the satire was coming from, where the direction the humour was. People, were great in telling me about the world and whatnot. So, yeah, I was very lucky with that.

Piers Townley: That's really interesting, talking about the different tiers of Charity, because I think that's almost an unspoken, an unspoken thing about sometimes in the third sector, there are the ones that you see on the telly, there are the big behemoth ones that you could name off the top of your head.

Tim Beynon: Yes.

Piers Townley: And then everyone else is vying for that space, whether that's on

00:30:00

Piers Townley: socials or on tv or, you know, there is that, kind of competition because it's a very crowded space. So that was very interesting that you were talking about, you know, the mid tier level. what I thought about the whole series, I think Tim probably agrees with me. It feels like you spent quite a lot of your career working in a charity, so you've obviously had lots of input is the right word, but lots of insight. There's actually like, well, how do you know that? How do you know that unless you've worked in a charity?

Garrett Millerick: Yeah, I had ideas of the stories I wanted to tell and the characters, and then I sort of touched in touch base with a few people and said, does this ring true? and, yeah, also, I've never worked in an office, so I've never worked in a Charity and I've never worked in an office. and those things, I've worked in other places and what I do, stand up comedy, I work by myself a huge amount, and then I'll see other comics on bills and whatnot, but it's quite solitary existence. so there isn't a huge amount of crossover other than I do work in a very competitive space and I work with lots of different personalities and that sort of thing. And I think that's fairly universal.

Piers Townley: Yes. that's what, there's archetypes of personalities, isn't there? Which comes across in do good, as you know, there is that type of person, or there's that type of rivalry, that type of.

Garrett Millerick: Yeah. When you first emailed me, I think my first response was, do you want me to get me on and grill me on everything I got wrong? yeah, I'm really, pleased to hear that people who are, ah, in the third sector are enjoying it. I wanted to get, because it.

Piers Townley: Is so closely mirroring what we sometimes see on a day to day basis.

Garrett Millerick: Well, that's great.

Tim Beynon: There's a lot there that everyone can relate to, for sure.

Piers Townley: The tiki torches coming down through the night walk is something that goes through your comms plan if you're going to have crisis comms and the rivalry between online fundraising and events fundraising, these things we have on the kind of bread and butter which, what make it so, you know, it makes the show resonate to those who are working in the third sector as well as just being a character situational.

Garrett Millerick: I'm very pleased to hear that it rang true with you. the reason it's in an events that I chose events was because of it being that thing we were talking about earlier, the forward facing public. For an audience to sort of understand it setting in a research department probably wouldn't have worked. but there's that, there's that entry point for the outside world that constantly comes into the series, which is dealing with people on the walk or trying to get, influences or whatever. that's something very easy and very quickly you can get an audience to understand and then you can bring them into the world.

Tim Beynon: Yeah, I totally get that. Let me ask you, in terms of Charity and your life as a stand up, how often do the two cross, do you get approached by charities much to do stand up gigs for them, that kind of. Do you do much sort of Charity, stand up work?

Garrett Millerick: Yeah, yeah, loads. there are loads of charity gigs. I mean. I mean, I did one, I did a fundraiser a few weeks ago, actually, for somebody who was, raising money for Alzheimer's research. And that's a coincidence. That was actually, that was before the series aired, actually. It was the beginning of the summer. But yeah, I've done things for all sorts of charities. so, you know, most, most comedians have, I'd say at least four or five times a year do something like that. And I've done everything from like, PTA's to military charities to, Parkinson's benefits, cancer research benefits. I did one for african farm aid. basically, yeah. If you've, if you've got good cause and you're putting on a night, comics are fairly, happy to come on.

Tim Beynon: Hypothetically speaking, if there was a Charity that looked after firefighters and one that looked after Brain people with Brain tumours, what would they do to go about getting you. Getting you to call my agent? I knew you were going to say that.

Piers Townley: I told you, Tim, we should have got his phone number.

Garrett Millerick: But, yeah, I mean, it's, I suppose I didn't write an episode. I did sketch out some notes for one, but I didn't write an episode a, ah, comedy night, because I felt a little bit too much inside baseball. Maybe if we do some more, there'll be, there'll be something like that. but, yeah, charity gigs, that's one of the things. I mean, as you say, like bread and butter things you've got, you know, you've got bike rides, marathons, sponsored things and then there's, there's events and comedy, gigs and music gigs and things like that are quite a ubiquitous part of charity fundraising, aren't they? So, yeah, I have done my fair share of those, but I have. I don't play favourites. I don't mind. Anyway, anyone calls me up and says, we've got a thing up, I'm free, I'll come and do it.

Tim Beynon: Excellent. Julie. Notice, and I don't know a huge amount about the life of what it's like being a stand up, but, we are aware of. Everyone's aware of these days is how much, the world has changed in terms of the fact that, people are almost sort of scared to say anything these days, especially online, in case they upset someone or it escalates rapidly and they find themselves in deep water. The

00:35:00

Tim Beynon: whole sort of PC landscape has changed quite considerably in recent times. How does that affect you? and did that come into your mind at all when you were writing the series and when you kept making jokes around, Alzheimer's? You touched on it earlier on a little bit. Did that play on your mind at all or do you just think, where do you stand on the fine line between comedy and offence?

Garrett Millerick: I suppose, I think it's a fairly sort of clear thing that as long as your target and your intention is correct, I mean, people sometimes characterise that as punching down or punching up or whatever, but I think, yeah, as long as your intention is correct and your target's correct, I think you're fairly well. Okay. Audiences are generally kind of self policing entities. If you say something on stage an audience doesn't like, they'll let you know because they won't laugh. What we're looking for is people to laugh. And I don't go out at work, in anything I do trying to offend people. I want people to have fun.

Piers Townley: back to charities and events then. Gary, if you were forced to do an event, what would be your thing, do you think? Would it be a marathon or would it be a tough mudder or are you just a bake sale kind of guy?

Garrett Millerick: I'm a bake sale kind of guy.

Piers Townley: Bakesale. Fair enough.

Garrett Millerick: Yeah. I do that thing of, putting on a gig or doing the thing that Clive does in the series. A lot of trying to have some sort of pleasurable experience and then, you know, bathing it in the, in the glow of Charity. To say that on top of this.

Piers Townley: So you're not going to be donning a costume like Clive, then.

Garrett Millerick: No marathons for me. No bike rides.

Piers Townley: Sure, because you can apply for our Charity. We'd love you to run in a costume.

Garrett Millerick: Oh, yeah. Okay. You get me a spot in the London marathon. I see I set myself up here.

Piers Townley: You missed before the end of this podcast.

Garrett Millerick: You're coming back and saying, well, actually, a lot of people in the third sector were very offended by what you said is. And the reason we've got you here is that, you can make it right by running the London merit.

Piers Townley: Wrong with the guilt trip. Now, on the show, we do like to shout out as many charities as possible. Do you have a cause as close to your heart at all or is it just all of them?

Garrett Millerick: just all of them. Well, obviously all of them. Brain cancer charities and firefighting charities are hugely close to my heart. so the thing that bothers me, that gets that thing in my stomach going is when I see homeless people, that really, I don't know, I don't know why it was that thing, but that thing, particularly for my whole adult life, when I see that, that really, I have an emotional reaction to that. So on that show, what I did, I made a joke in the middle of the show and I told them was homelessness. That bothered me. And I said that I hadn't done anything about it because I'm a millennial win bag. But let's just chalk it up as a win that I've said I do care about. And then at the end of the show, there was a. There was a bucket collection which was going to the venue and the producers and I had only found out in the run up to the show that I wasn't getting my tips. Essentially, they were being syphoned, off somewhere else. So I was like, ah, okay. So I came up with a bit of a plan where I invited a, ah, homeless Charity to come down, and I told the audience at the end I would be standing with a contractually mandated bucket. But don't put any money in that bucket, because I don't get it anyway. But next to me, there'll be someone from, homelessness Charity, and every single penny of that money will go to helping people on the street. So I sort of pulled this little, stunt at the end, and I only told the producers in the venue about it the day before, and they were like, okay, well, we're going to do loads of pr about this. And I said, no, you can't do any. And they said, well, what if we stop you doing it? I was like, then I'll do pr about it. And they went, okay, you've thought about this every single angle. so it was really great. And we raised 10,000 pounds over the course of the. The show, and people were amazing because the stunt, it kind of connected with what I was saying in the show, and it was kind of a fun little, kind of punk, people paying 50 pound notes and stuffing it. We raised a huge amount of money, and it was incredibly satisfying. But that's the sort of biggest, charity fundraising I've done, and that's an issue that I will always, if I can give money to. So that's kind of. I fairly, you know, as I said, I'll do benefit gigs, and I do donate, you know, I donate to Greenpeace and various other people, and if I've got change, I'm not gonna. Not gonna walk past your bucket. But, yeah, I think homelessness is the one that I get that. That emotional reaction to.

Piers Townley: So do you think, you know, why? Is it the precariousness of our careers or precariousness of your career in the early days, maybe?

Garrett Millerick: No, no, I don't think I've ever. I've got, you know, I've never been in a situation where I've. Where I faced that. I've been very lucky. I come from a very stable family, and, that's nothing. Not something I've had any experience with. I guess with a lot of them, with a lot of charity issues. And I suppose you and your listeners have this. You need to sort of engage people, because I was just about to say, well, I see it and think, there go I. But for the grace of God. But that's. That's the same with everything. That's the same. That's the same with. That's the problem with the competition that you guys are faced with. We are all, you

00:40:00

Garrett Millerick: know, one doctor's appointment possibly away from a diagnosis. We are all one text message away from finding our family, members been involved in something or, you know, you know, we're so close to all these things, which is why what you guys do is so important. but, yeah, I don't know why it is. there's no personal connection there whatsoever. I just, it's just something that, because it's right there in front of you and you can kind of see, you know, if you walk, you see somebody in a, in a, in a shop doorway, it's so shocking.

Tim Beynon: And in modern Britain. That still happens.

Garrett Millerick: Yeah. It's so possible for that not to be the case.

Tim Beynon: What's next for you, Garrett, in terms of do good as is, wrapped in the canon and available on iPlayer or BBC sounds rather, for anyone to listen to. PBS house.

Garrett Millerick: Get it right.

Tim Beynon: what's next? Have you got a show in the box?

Garrett Millerick: Yeah, I'm going out on a national tour in the next couple of weeks. I'm doing a show called needs more space, which is nothing to do with charity. it's a history of space travel, which I've just been doing at the end of my fringe. I'm doing that till February and then writing other bits and pieces and doing stand up all down the country. and, you know, presumably after this, I'll be, I'll be appearing at, a Charity benefit gig for firefighters and all.

Piers Townley: The piece of paper right now, do good as number two.

Garrett Millerick: I'd love to do more. We just have to wait and see, but, yeah, I'd love to do more. I've got ideas and whatnot. and, yeah, well, indeed. Fingers crossed. Fingers crossed.

Tim Beynon: I've got to ask you, anyone listening to this who maybe, is a closet comedian, a closet stand up or somebody who wants to write something that, they want to pitch somewhere? What's their first step? What's your advice?

Garrett Millerick: Stay in the Charity sector. The money's better. I, mean, stand up's one of those things where you have to. It's like, it's been described as learning to play a musical instrument in public. There are loads of open mic gigs all over the country. And there are things you can do, like comedy courses where you go on a few Saturdays and people will give you the basics, but you really just have to do it. It's one of those things you can't know until, until you do it. So if anyone's ever thinking about doing it, you totally can. There's zero barriers to entry. just other than the fact that.

Tim Beynon: You'Ve got to be. I mean, it's that I could not do it. I just couldn't do it. I don't have that level of bravery to do that. I would be, I would just freeze up and say, so you got to. You say, there's no, there's no. Anyone could do it, but they can't.

Garrett Millerick: I don't know, Tim is you've got, you've done a marathon. If I'm, looking behind you.

Tim Beynon: Yeah.

Garrett Millerick: Yeah. And was your entry to working for a firefighter charity, perhaps having been a firefighter.

Tim Beynon: No, no. Obviously I've worked to several charities before this one, so kind of like a career.

Garrett Millerick: That's another thing about charities, isn't it? Once it's like hotel California, you guys never leave once you're in the third sector. That's true. Why do you think that really speaks to, obviously there is huge challenges in what you do, but I think it really speaks to, the rewarding nature of the work that you guys kind of stick in and doing that, and presumably to both of you, like going into the private sector, it would be completely anathema to you.

Tim Beynon: We both came from there, so we both came from, I was a journalist and so was peers before we worked in the third sector. So we've come from, both come from a sort of corporate, commercial world.

Garrett Millerick: Right.

Piers Townley: very different world.

Tim Beynon: Ah.

Piers Townley: And I will be back. I'm hooked. Absolutely out.

Garrett Millerick: That's fantastic.

Piers Townley: Amazing to work.

Garrett Millerick: Yeah, absolutely fantastic. But, yeah, if you want to, if you, if you want to try it, you just gotta go and try it. it's kind of the same with anything. And you won't be, you won't be good on the, on the first one. You might have fun, but you won't be good. You'll, you know, you'll find out through the, through the process and the journey of doing it. If you, if it's.

Tim Beynon: I love watching comedy, couldn't do it, although I love watching comedy, but I would never sit in the front row.

Garrett Millerick: That's a myth. That's a total mythical. You have, you'll have more fun in the front row or certainly at the front, but people are, oh, I have to sit in the back. But, you know, the most is going to happen. Someone's gonna say, what's your name? And say, tim, you'll work for a firefighters charity, and then they'll tell two jokes about firefighters and move on to the next person. It's really not. Yeah, yeah.

Tim Beynon: Okay, fair enough.

Garrett Millerick: Yeah. I have to stress here on the podcast, you are safe in the front row of a comedy show.

Piers Townley: Gary, it's been, as Tim says, well, I love comedy as well. And for the breakthrough Charity, we've got the likes of Hal quittenden and Miles job supporting us and stuff, and amazing. We have done comedy nights before, so I think your agent, at some point in the future may be getting a knock on the door. But thank you so much for appearing on the Charity show. Thank you so much insight into it. And all our fingers are crossed for do gooders second season.

Garrett Millerick: Thanks very much. And thank you. Thank you for asking me on, as I said, sort of about feedback or whatever, but you guys, contacting and saying that it rang true and everything. That's really nice to hear. That's really fantastic.

Piers Townley: we should spread the word.

Garrett Millerick: Thank you.

Tim Beynon: In each episode of the chat show, we want to celebrate our sector superstars, those incredible people working, volunteering and fundraising across our sector. And you can nominate your deserving colleagues, volunteers or fundraisers. Just email us at, thecharityshowpodmail.com or get in touch through the links in the show notes. You can even send us a

00:45:00

Tim Beynon: voice message that we can play out in the next episode.

Superstars of the week: Pothole disappointment and lifetime supporter

So, Biz, who's your superstar? This.

Piers Townley: I love this story. It just shows the power of what charities do in the moment and the legacy and the impact that any sort of support or any sort of good things that they do can have. This is about Brian Cole, who was rescued by the RNLI up, falling 200 foot down a cliff. But he did it 65 years ago while he was holidaying with his. He was just aged 17 at the time, but he's gone on to support the RNLI ever since. And they report, and the newspc said, indented his score, but there's no major damage. But Brian has gone on to fundraise and support and he still gives tours around Exmouth RNLI lifeboat station today. So that's 65 years of support for the Charity that, you know, saved his life back there. Brian is quoted as saying, I was so grateful to the RNLI after every year after that, I collected for them, work and began to give talks about my experience and the great work of the RNLI around Bashen and later Yeovil, where I moved there. And that's also a lovely story as back in March, the RNLI celebrated its 200th year. So, fantastic Charity and a fantastic fundraising superstar story from Brian.

Tim Beynon: Great love a.

Garrett Millerick: Love a story.

Tim Beynon: Somebody who, you know, who's maintained their support for such a long period of time because of the impact that Charity had on them at a young age as a teenager. So, yeah, hats off to Brian. That's a cracking, cracking story. so my superstar story this week is all about potholes and how potholes have scuffed with somebody's fundraising.

Piers Townley: Do you fit the double on this episode, haven't you? Tip? We've got stamps and we've got potholes. Is there anything more that we don't love moaning about?

Tim Beynon: I say anything. Well, all there's a weather related story now. And that's the hat trick, isn't it? But, yeah, potholes. And where we live around fleet, they're shocking as well. Pretty bad around.

Piers Townley: Don't get started.

Tim Beynon: Yeah. Okay. All right. Before we go down that road, that pothole road.

Garrett Millerick: Okay. So.

Tim Beynon: So this, this is about a guy called Mike. Mike land. And he. Mike survived a bungee jumping accident, but unfortunately had to halt his world record attempt pulling a 1.5 tonne van for 9 hours. So basically he's been, he's been trying to, to, pull this, this van to break a world record and to raise money, but, unfortunately he had to stop. And the reason he had to stop after, pulling the vehicle for 10.5 miles, he had to try and beat 32 miles to catch the world record in 24 hours. But he was done in by potholes. Basically. It was too much for him to try and put his van, across the route that he'd taken because of the potholes. So he started the attempt at down Anthony airfield on the 4 October, but had to stop on the Saturday when potholes on the airfield became too challenging. So I think we can all relate to that. Not that we're all pulling our cars around, but, Poor Mike. Poor Mike. We really feel for you, Mike. That's a really tough one. He was raising money for Wiltshire air ambulance, and, in true fundraising spirits, he's got to look for a new venue to try again. his story is an incredible one. Doctors feared that, he would never make a full recovery when he fractured his pelvis after a bungee jump.

Tim Beynon: Oh, this sounds horrific. After his bungee jump rope snapped in 1993. Can you imagine anything more terrifying than that? That's horrific. but he's completed numerous challenges since then, and now works as a fitness instructor and a designer.

Garrett Millerick: So.

Tim Beynon: Well done, Mike. Bad luck. I'm not beating the record, but we've got every confidence in you that you will and get in touch and we might try and track you down and get you on the show to talk about it when you do finally beat that record. So, yeah, don't worry about the potholes. without any.

Piers Townley: Yeah. Survived a bungee jump scuppered by a pothole.

Tim Beynon: Yeah. Shocking. Shocking.

Coming soon

So that's it for episode ten. Huge thanks to Garrett for giving us an insight into do gooders. Go and take a listen to it if you haven't done so already. The links are in the show notes and it's on BBC sound, so you should be able to find it pretty easily. We've got some other great guests in the pipeline, too. Have a week loose.

Piers Townley: Absolutely. We're going to finding out about challenge events and how to make the most of them. And coming up next time we talk to Charity comms chief executive Adeela Worley about the ethical dilemma facing all charities in regard to x. Should we or shouldn't we be on Elon Musk's much changed Twitter?

Tim Beynon: That's an important question and something we all need to be thinking about. and don't forget, you can be a part of the show, too. Just send us your voice messages or get in touch through any of the links in the show notes to share your stories and tell us what you like us to cover.

Piers Townley: And don't forget, we want to know who your superstar fundraisers, volunteers, or colleagues are, too. So head to the show notes and share their brilliance with the rest of us.

Tim Beynon: And in the meantime, please follow, or subscribe to us on your usual podcast platform and leave us a review, all of which help other people to find the show.

Piers Townley: So that's it for this episode. Thanks for listening. Take care and we'll see you soon.

00:49:48


Episode 13 - Full Transcript

  LINKS TO ALL PODCAST PLATFORMS Welcome to the show Piers Townley: Hello and welcome to the Charity show, the podcast for Charity Insider...